Todrick Hall, the multi-talented artist known for his work as a performer, songwriter, choreographer, and producer, is set to make his mark in the world of musical theatre this autumn with the Off-Broadway debut of his original show, “MIDNIGHT.” Following two successful runs in London, Hall’s highly anticipated musical will be staged at the Daryl Roth Theatre starting September 12, culminating in an opening night on September 27.
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“MIDNIGHT” is a sung-through production that delves into themes of class, empathy, identity, and race through the lives of twelve interwoven characters residing in the American South during the 19th century. Hall, who took on the roles of both writer and director, embarked on this creative journey six years ago, inspired by the overwhelming division and unrest he observed in society.
Reflecting on the show’s origins, Hall recalls a moment when a dear friend urged artists to harness their creativity during tumultuous times. “Artists, this is the time that you need to create,” was the message he took to heart, as protests and calls for change resonated worldwide. It was during this chaos that Hall decided to channel his lifelong passion for musical theatre into a project that would invite dialogue rather than deliver a lecture.
He emphasised the importance of creating an accessible narrative, saying, “I don’t want it to be too heavy-hitting… Everyone, no matter where you come from, can come into the room and look at your neighbour in a way that maybe you hadn’t.” Hall’s intention is to open a space for understanding and connection among audiences, fostering discussions around complex social issues without being didactic.
The creative process, however, was not straightforward. Hall shared that it took an entire year of exploration to develop just a single song for “MIDNIGHT.” “The writing process starts long before you put pen to paper,” he explained, describing how he spent time immersing himself in the characters and the world they inhabit. His inspiration came from various sources, from opera and ballet to everyday experiences.
As the project evolved, Hall’s vision expanded beyond mere musicality to something more significant. “I decided I didn’t just want to make a musical. I wanted to make a movement,” he expressed, aspiring for “MIDNIGHT” to be a transformative experience.
Despite the creative highs, Hall faced numerous challenges, including moments of self-doubt that made him question whether the show would reach the stage. “Every day,” he admitted, “I am starring in ‘Imposter Syndrome: The Musical’ in my head.” This struggle is intertwined with Hall’s recognition of his place in a predominantly white industry, where he believes representation is critical. “I haven’t seen a lot of people who look like me in the Broadway Musical Composer Hall of Fame,” he noted, acknowledging the void that has motivated him throughout his career.
As he prepares to introduce what he affectionately calls his “musical baby” to New York audiences, Hall is keen to convey a unique story. “It’s a story that no one’s heard before… to hear it, audiences must turn their phones off and embrace the experience.” The emotional weight and relevant themes of “MIDNIGHT” are influenced by Hall’s personal encounters as a queer Black man navigating a complex world.
Expounding on this, he explained how his past experiences of feeling misunderstood have shaped his artistic voice. “Those scars are going to end up being your superpowers,” he encourages younger generations who may feel out of place in traditional narratives.
Bringing “MIDNIGHT” to New York represents a full-circle achievement for Hall, who grew up in a small town in Texas with dreams he never thought would materialise. “You don’t grow up a poor kid from Plainview, Texas of all places thinking that you’re ever going to be able to go to New York,” he reflected, acknowledging the strides he has made after appearing in various Broadway and West End productions.
With “MIDNIGHT,” Hall expresses gratitude for every hurdle he has overcome on his journey. He hopes to inspire others, offering a powerful message to his younger self: “Keep going, Little Toddy… those scars are going to end up being your superpowers, and you’re going to be able to change the world. One gay musical at a time.”
As anticipation builds for its opening, “MIDNIGHT” promises to be both an artistic and emotional journey, set to run for a limited engagement until November. Hall’s ambition to create a work that invokes empathy and connection is bound to resonate with audiences, reflecting his belief in the transformative power of theatre.