Archaeologists working in northwestern Turkey have made a remarkable discovery at the ancient site of Apollonia ad Rhyndacum: a 2,000-year-old tomb located within the seating area of a historic theatre. This unexpected finding has sparked considerable interest and debate among researchers, particularly regarding the reasoning behind such a burial site.
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Located in the Gölyazı village, the theatre was part of an ancient city that once thrived in the region. The grave, which dates back to the first century AD, was found in the lower rows designed for spectators. This has prompted questions about why an individual would be interred in a theatrical setting, especially when the city boasted a designated cemetery nearby.

Professor Derya Şahin, the lead excavator from Bursa Uludağ University, expressed her curiosity about the unusual burial choice. “What was a tomb doing in a theatre area when the city had its own necropolis?” she queried, highlighting the perplexity surrounding this find. The burial chamber consists of mudbrick construction capped by a pitched terracotta tile roof, and its contents reveal that the remains found were cremated, complicating efforts to identify the individual or individuals interred.

The cremation poses challenges, as the condition of the remains provides minimal clues about the deceased. According to Şahin, “Because the remains were burned, they don’t yield much.” This obscurity has led researchers to consider alternative explanations for the location of the tomb, with the belief that the burial site may indicate the deceased held considerable significance within the ancient community.
As the team examined the tomb’s surroundings, they noted the proximity of a dedicated burial ground located near the entrance of the city, as well as similarities between this newfound grave and others discovered in that cemetery. This resemblance has prompted speculation that the individual interred at the theatre might have held a prestigious position, possibly involving elements of reverence or commemoration. “The grave must be a special one,” Şahin stated, suggesting it could reflect traces of sacredness or heroism.
The theatre itself has a rich history, dating back to the Hellenistic period. It was strategically built on the slopes of Zambaktepe hill, overlooking Lake Uluabat, with an estimated capacity of around 5,000 spectators. Inscriptions indicate that construction reached its final phase in the early second century AD, although much of the upper seating has deteriorated over time due to natural degradation and continual occupation of the surrounding village.
Since the excavation work commenced in 2021, researchers have brought to light 42 rows of seating steps that have been meticulously restored to their original arrangement. The layout suggests the theatre was designed with two tiered levels, divided by a walkway approximately three feet wide.
As they continue their work, archaeologists remain hopeful about the prospect of unearthing additional findings surrounding the theatre, such as the remains of a temple or ancient roadways that could provide further context to the site’s significance.
The investigation into the tomb and its context will be a complex journey. With the excavation season set to wrap up at the end of November, Professor Şahin emphasised the need for a thorough examination of historical records and ongoing research. Only through this painstaking process can they aspire to unravel the enigma of the burial’s location and its implications within the cultural fabric of ancient Apollonia ad Rhyndacum.
As this intriguing excavation progresses, researchers look forward to shedding light on the unique interplay between identity, community, and the enduring legacy of the ancient world.
