Robert Patrick, renowned for his role in “Terminator 2: Judgment Day,” has shared glowing commendations for the writing of Taylor Sheridan, the creative force behind the acclaimed series “Yellowstone” and its prequel “1923.” Speaking to PEOPLE, Patrick likened Sheridan’s script for “1923” to “a romantic novel,” highlighting the richness and depth of the storytelling.
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The actor, aged 67, has portrayed Sheriff McDowell in “1923,” which wrapped up its second season last year. This project marked Patrick’s inaugural experience working on a show created by Sheridan, and he expressed great enthusiasm for the opportunity. “I loved it,” he stated, reflecting on his time filming the series.
A memorable aspect of his experience on set was the chance to collaborate with Hollywood legend Harrison Ford. The two had previously worked together over a decade and a half ago on “Firewall.” In their initial reunion on the “1923” set, Ford and Patrick conversed about the excellence of the script. “I was going, like, it’s like reading Ernest Hemingway,” he remarked, further stating that the emotional weight of the scripts reminded him of classic literature such as “For Whom the Bell Tolls.”
In addition to praising Sheridan’s writing, Patrick underscored the joy he experienced while working alongside Ford. “I love the guy, he’s a great guy and an amazing actor,” he said, reminiscing about the fun they had sharing the screen together. Their camaraderie appears to have enhanced the quality of their performances, further contributing to the series’ success.
Following his role in “1923,” Patrick participated in another of Sheridan’s projects, “Tulsa King,” in which he joins Sylvester Stallone for the show’s third season. Patrick recounted that his collaboration with Stallone was another opportunity he cherished, as the two actors had previously worked together in projects like “Cop Land” and “I.C.U.” His excitement was evident as he described participating in yet another Sheridan series alongside Stallone: “Tulsa King was a wonderful opportunity, and I loved working with Sylvester.”
Lauding Stallone, 80, as “one of my favourite people,” Patrick spoke warmly about the actor, describing him as “a warm, generous human being” and “incredibly talented.” The rapport that developed throughout filming added to their enjoyable working environment, which Patrick clearly appreciated.
Despite his successful collaboration with Sheridan’s writing through both “1923” and “Tulsa King,” Patrick revealed he has not yet had the chance to meet Sheridan in person. “I never saw Taylor on the set,” he disclosed, adding that he suspected the role he played in “1923” was tailor-made for him by casting director Johnny Papsidera. Nonetheless, Patrick’s admiration for Sheridan remains strong; he expressed a desire to work with the prolific writer again in the future.
As a reflection of his enthusiasm, Patrick reiterated, “He’s a fantastic writer, as I said. I thought the script… it was like reading this romantic novel.” This sentiment underscores his appreciation for the art of storytelling that Sheridan brings to the screen.
In an exciting side note, “Terminator 2: Judgment Day,” which first hit cinemas over three decades ago, is returning to U.S. theatres to celebrate its 35th anniversary. Starting from 28 August and running until 2 September, the re-release will include showings in several advanced formats, including 4K and RealD 3D. Tickets for the screenings are now available, providing a chance for a new generation of audiences to experience the iconic film on the big screen.
Overall, Robert Patrick’s reflections on his recent projects underscore the value of compelling narrative in television and film, as well as the profound connections created through collaborative storytelling. His hopes for future partnerships with Taylor Sheridan are a testament to the respect and admiration he holds for the writer’s work.