Machine Gun Kelly (MGK) and Yungblud’s increasingly public feud has developed further following recent comments made by both artists online. The tension between the two musicians appears to be ignited by MGK’s new single, “Fix Ur Face,” which has sparked speculation among fans regarding its lyrics and intended targets.
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In what has become a widely discussed exchange, MGK took to Instagram to criticise Yungblud, whose real name is Dominic Harrison, for cancelling a recent tour. Citing that it was due to a lack of ticket sales, MGK implied that Yungblud’s mental health claims were insincere. This comment has since been deleted, but not before it was captured by fans and subsequently circulated on the social media platform X.

MGK, born Colson Baker, reportedly said, “Blamed it on mental health then got paparazzi’d at Nobu the next day, Pinocchio.” He continued by referring to Yungblud as a “silver spooned preachy wanker,” taking a jab at what he perceives to be Yungblud’s privileged background. The remarks appear to highlight a deeper signal of rivalry as both artists navigate their careers and public personas.

The exchange comes shortly after Yungblud shared a video via Instagram discussing the soaring costs of live music and how it has affected ticket sales. “Artists are cancelling all the time based on lack of ticket sales because it is an issue. It’s completely unaffordable for people,” he said, reflecting on the accessibility challenges faced by fans. However, MGK’s comment appeared to undermine Yungblud’s credibility on the subject, suggesting that he was not entirely truthful about the reasons behind his tour’s cancellation.
Yungblud’s representatives later issued a statement, emphasising that the artist was too focused on his successful North American tour and the production of his next album to engage in the back-and-forth with MGK. They expressed well wishes for MGK, underscoring his commitment to his craft over responding to public feuds.
The fallout from MGK’s lyrics in “Fix Ur Face” adds an additional layer to their rivalry, as he seems to reference the younger artist with lines that might suggest jealousy or criticism. “Mickey Mouse kids turned rockstars / Leaving private schools, tryna be outlaws,” MGK sings, which many believe references Yungblud’s upbringing. Yungblud attended a private boarding school in Yorkshire before attending an arts school in London, further cementing the notion that MGK’s lyrics target his background.
Interestingly, the rivalry appears to have roots that stretch back to a 2024 episode of The Osbournes podcast. During the episode, a comment from Kelly Osbourne about MGK seemingly copying Yungblud’s aesthetic led to an exchange between Yungblud and Sharon Osbourne, where she voiced her feelings about MGK. Yungblud’s response to her remark, simply stating “Fair,” further suggested that tensions were simmering beneath the surface.
MGK took to social media after the release of “Fix Ur Face,” hinting that some lines may have been overlooked by listeners, suggesting a deliberate attack or provocation aimed at Yungblud. This is significant given that the two artists have collaborated in the past on tracks like “I Think I’m Okay” and Yungblud’s “Acting Like That,” indicating their relationship has shifted dramatically since those more amicable interactions.
Despite their previous collaborations and mutual respect, MGK’s comments have cast a shadow over their history. In an earlier interview with NME, MGK praised Yungblud’s style, attitude, and creativity, but the recent fallout indicates a stark transformation in their relationship. From friends and collaborators to rivals, the evolving dynamic captures the attention of fans eagerly following their exchanges.
As this feud unfolds, it will be interesting to see whether either artist seeks to address the matter directly in future songs or public statements. For now, both MGK and Yungblud appear to be using their platforms to express frustrations and perspectives on the music industry, albeit through a lens of rivalry rather than collaboration.
