Lea Thompson, the renowned actress, has recently shared insights about her experiences while filming the 1986 movie *Howard the Duck*, a project that has elicited mixed reactions since its release. The film, based on the Marvel Comics character of the same name, featured a unique premise centred on a cynical duck from another planet, who is unexpectedly thrust into life on Earth.
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The film, produced under the executive guidance of George Lucas, marked his first such role following the success of the original *Star Wars* trilogy. Despite the initial perception of the film as a failure, it managed to earn nearly $38 million globally, resulting in a surprising resurgence in popularity and the establishment of a devoted cult following over the years.

During an appearance on the Taboo’s Comics & Kicks podcast, Thompson discussed the dynamics involved in her scenes with Howard, the titular character. She revealed that two individuals portrayed the character inside the costume: a youthful boy, estimated to be around seven or eight years old, and Ed Gale, an actor who later became known for his role as the infamous slasher Chucky in the *Child’s Play* series. Gale passed away in May 2025 at the age of 61.

In her remarks, Thompson recalled Gale’s contribution during filming, stating, “He was like the stunt duck,” referring to his physical portrayal of the character due to his age and agility at that time. At the time of filming, Gale was only 18 or 19 years old, and Thompson described the challenges of working with someone in a costume that restricted movement: “It was all very difficult and kind of clumsy and funny.”
Despite the mixed reviews from critics upon its release, the film has evolved into a point of interest for fans of Marvel adaptations. Thompson seemed reflective about how perspectives regarding the film have shifted over the years, recognising that the title is now often remembered as a critical failure. She remarked, “You know what? That wasn’t even presented to me until Marvel films became a big deal. And everybody went, ‘Wait a second. Howard the Duck, the famous bomb of the century?’”
The film’s financial performance, while often overshadowed by its critical reviews, demonstrates an interesting facet of its legacy. According to Box Office Mojo, *Howard the Duck* grossed approximately $37,962,774 internationally, which, although not deemed a blockbuster, indicates a level of commercial success that has contributed to its enduring status in pop culture.
Thompson’s character, Beverly Switzler, a struggling rock singer, faced her own challenges in navigating life alongside Howard. The quirky and unlikely friendship between them was a central theme, blending elements of adventure, romance, and comedy into the narrative. Over time, audiences have come to appreciate the film for its odd charm and humour, acknowledging it as a precursor to later Marvel cinematic endeavors.
While *Howard the Duck* may not have achieved the accolades expected from a film with such a creative pedigree, its unusual blend of fantasy and reality has helped secure a unique place in cinematic history. The film serves as a reminder of the unpredictable nature of film production, where even those projects viewed as failures can eventually garner a loyal fanbase.
Thompson’s reflections on the production process and her co-stars provide a glimpse into the often challenging but rewarding world of filmmaking. As fans continue to reminisce about the film, *Howard the Duck* stands as an example of how time can change perceptions, allowing once-derided works to be appreciated anew in the landscape of modern cinema.
