Ballet Icon Tiler Peck Makes History as First Woman to Hold Choreographic Title at New York City Ballet

**Tiler Peck Makes History as New York City Ballet’s First Choreographic Associate**

Tiler Peck, a distinguished principal dancer at the New York City Ballet (NYCB), has been appointed as the ballet company’s first ever choreographic associate, a ground-breaking role that expands her influence within the institution. This announcement was made on 25th September, and Peck expressed her deep emotions and gratitude regarding this honour in a formal statement.

Peck, now 37, shared her sentiments about making history as the first woman to hold a choreographic title at NYCB. She described the moment of her appointment as deeply moving, stating, “I was incredibly moved when I realised I would be the first person to hold this position, and especially humbled to be the first woman in NYCB’s history to hold any choreographic title. It is an extraordinary honour that I will never take for granted.”

With over two decades of experience at the esteemed ballet company, Peck’s new role will see her commissioned to create world premiere ballets over the next three seasons, with her debut in this capacity scheduled for 8th May. The NYCB has acknowledged that Peck will be responsible for her own repertory, contribute to educational programmes centred on the choreographic process, and act as a mentor to her fellow dancers.

The artistic leadership at NYCB, including artistic director Jonathan Stafford and associate artistic director Wendy Whelan, shared their enthusiasm for her appointment, highlighting her creative prowess. They stated, “We are thrilled to welcome Tiler to this new role. She is an extraordinary artist who continues to give dazzling performances. In recent years, she has also become one of the ballet world’s most exciting choreographers, and we look forward to supporting her ongoing choreographic work and are eager to see what she has in store.”

Peck also aims to use her new visibility to inspire other women aspiring to pursue choreography, expressing hope that her appointment could pave the way for future generations. “Most importantly, I hope this visibility can help open the door for more women to see a future for themselves as choreographers within major institutions,” she said.

Earlier in the year, Peck demonstrated her choreographic talent by directing the music video for Olivia Rodrigo’s hit song “Stupid Song.” In an interview, she discussed the importance of showcasing talented ballerinas in the project, noting, “I felt like what a wonderful opportunity to actually be able to use top talent ballerinas. I said, ‘As long as I can choreograph it in a way where I can really show ballet and show real dancers, and I’m totally up for it.’”

Throughout her career, Peck has proven herself not only as a remarkable dancer but also a creative force. Her journey in ballet has been complemented by her partnership with fellow principal dancer Roman Mejia, with whom she shared her story last year. When reflecting on their relationship, Peck conveyed her gratitude, saying, “It’s amazing to share this. You can tell from looking that somebody’s a good dancer, but you don’t know if they’re a good partner. He’s an exceptional partner.”

Peck’s career at the New York City Ballet has been characterised by numerous achievements, and her new role as choreographic associate is expected to bring fresh perspectives and innovation to the company’s repertoire. As she embarks on this new chapter, both audiences and fellow artists are looking forward to seeing how she will shape the future of ballet.

Her history-making appointment is not just a personal triumph but also a significant step towards inclusivity within the ballet community, demonstrating that barriers continue to be dismantled in creative arts. As Tiler Peck prepares for her debut choreographic project, the ballet world watches closely, eager to witness the impact of her newly assumed role.