Robert De Niro and Jane Rosenthal have a rich history with the Tribeca Film Festival, which they founded in November 2001, just two months after the tragic events of September 11th. The festival was conceived as a response to the devastation faced by New York City following the terrorist attacks, specifically aimed at rejuvenating their Tribeca neighbourhood, which had been severely impacted.
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During a recent event hosted at the People Inc. headquarters in New York City, De Niro and Rosenthal discussed the festival’s inception as part of a live talk series called People Talks. It included contributions from Matt Tyrnauer, director of the upcoming documentary, “Tribeca 25,” which commemorates the festival’s 25-year legacy. Rebecca Glashow, CEO of Tribeca Enterprises, was also present to introduce the film.

De Niro reminisced about the period post-9/11, describing a sense of urgency to take action. “We had previously tossed around the idea of launching a film festival, but it was only in the wake of 9/11 that we decided to commit to it seriously,” he said. Rosenthal echoed his sentiments, emphasising the importance of revitalising a neighbourhood that had experienced such profound loss. “We thought, ‘What can we do? We’re not emergency workers, but we can create something to foster new memories and bring people together.’”
The festival’s official announcement came in November 2001, and they managed to curate its first event by May 2002. This unprecedented timeline came without any prior experience in festival organisation. De Niro noted that the task at hand reminded them of film production: “If we can prepare a film in three months, then we can certainly do the same for a festival.” Their approach was marked by determination, despite facing considerable challenges.
In what became a monumental undertaking, over 1,300 volunteers dedicated their time, with the duo facing the daunting challenge of operating without financial backers or a structured plan. De Niro recalled, “We had 120 days to get everything together. This wasn’t merely about the films; it was a question of whether downtown would return to life.” The inaugural festival drew over 150,000 attendees, highlighting its success in rekindling the spirit of the city.
Rosenthal recollected the logistical hurdles they encountered, particularly in securing venues. The lingering effects of the attacks meant that many cinemas were not operational, and accessing suitable facilities often required precautions akin to wearing hazmat suits. The somber reality of the Twin Towers destruction was a vital reminder, as De Niro observed, “Nobody was sleeping easily. The sight of smoke from the wreckage was a constant presence, keeping everything in focus.”
Debuting on May 8, 2002, the festival showcased an impressive selection of 150 films chosen from more than 10,000 submissions over its five-day period. The event marked a pivotal moment in the city’s recovery and demonstrated the community’s resilience. Rosenthal stated that the initiative transcended the simple aim of establishing a film festival; it was about providing a platform for renewal and healing.
The festival’s significance extended beyond entertainment; it served a symbolic purpose in the wake of national tragedy. Highlighting this, Rosenthal recalled how De Niro’s suggestion to invite Nelson Mandela not only resonated with their mission but also set the tone for the event’s future. Mandela’s belief in the unifying power of film aligned with their vision, contributing to the festival’s more significant goal of facilitating a shift from mourning to a celebration of life.
Through its rich history, the Tribeca Film Festival has emerged as a cornerstone of New York City’s cultural scene, boasting an estimated economic contribution of over £1 billion to the local economy. It has become a platform for budding filmmakers, with notable alumni including Academy Award winners Ryan Coogler and Damien Chazelle, who premiered their first films at the festival.
As the anniversary of the festival approaches, “Tribeca 25” will premiere on Netflix on September 11, serving as a reflection on its journey and the impact it has had over the last two decades. The festival’s founders are proud of what they achieved against all odds, transforming an idea birthed from tragedy into an enduring symbol of hope and creativity in the heart of New York City.
