Kent McCord, renowned for his role as Officer Jim Reed on the iconic series *Adam-12*, has recently shared reflections on his impactful time on the show, which aired from 1968 to 1975. In a candid discussion on the *Still Here Hollywood* podcast, hosted by Steve Kmetko, the 83-year-old actor spoke about his experiences and the show’s influence on policing and public perception.
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*Adam-12*, created by Robert A. Cinader and Jack Webb, followed the daily lives of two police officers patrolling Los Angeles in their distinctive black and white cruiser, designated as 1-Adam-12. McCord, alongside his co-star Martin Milner, portrayed the duo navigating both routine calls and more challenging scenarios on the streets of the city.
Before filming began, McCord recounted a meeting with Webb, a respected figure in television known for his work on *Dragnet*. Webb reminded the actors of the responsibility they held as representatives of the police force, urging them not to “embarrass” their profession. He asserted that any missteps by the actors could reverberate throughout the police community. McCord highlighted the pressure that this placed on him and Milner, stating, “You guys are joining a very small fraternity. Don’t embarrass them and don’t embarrass yourselves.”
As the series gained popularity, McCord and Milner encountered real-life police officers who offered feedback on their portrayal. One officer mentioned to McCord, “We really like the show,” but also expressed the challenges it posed for real officers, saying, “We have to live up to your image.” This exchange emphasised the show’s impact on the perception of law enforcement, particularly during a time when public sentiment towards police was less than favourable.
McCord noted a significant shift in attitudes thanks to the show. Recalling conversations with various officers, he mentioned one who remarked on the change in interactions between police and the community. The officer said that there was a notable difference between the pre- and post-*Adam-12* eras, as children began engaging with police officers in a more positive manner. While the show was not specifically aimed at younger audiences, it resonated deeply with them, helping to bridge a gap between law enforcement and the public.
Attention to detail was paramount during filming, McCord recalled, as the show employed a technical advisor—a real police officer—who provided guidance on authentic policing procedures. From the proper way to exit a vehicle to ensuring hats were worn, this meticulous approach was critical to the show’s realistic portrayal. “Marty and I hated the hat,” McCord admitted, “but we knew we had to follow the protocol.”
The dedication to accuracy did not go unnoticed, with Universal Pictures distributing 16 mm prints of the series to police departments across the United States for training purposes. McCord expressed pride in this aspect of the show’s legacy, stating that it was gratifying to know that *Adam-12* contributed to real-world police training.
According to McCord, *Adam-12* operated on a simple premise: portraying the everyday tasks of two police officers in Los Angeles. While the show did draw upon real events and narratives from outlets like the *Los Angeles Times*, McCord was quick to note that the series was not a documentary but rather a dramatized representation of police work, typically infused with a degree of dramatic flair.
Beyond *Adam-12*, McCord continued to work in the entertainment industry, featuring in shows such as *SeaQuest DSV*, *JAG*, and *Farscape*. His enduring career reflects his adaptability and talent within the television landscape.
The legacy of *Adam-12* remains influential, particularly in its realistic depiction of law enforcement activities and its role in shifting public attitudes toward police officers. Webb’s vision for the series, along with the dedication of its cast and crew, helped craft a programme that resonated with audiences and left a lasting impact on both the entertainment industry and society at large.