**Joan Baez Reflects on Fame, Insecurities and Remaining True to Her Art**
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In a revealing conversation, iconic folk singer Joan Baez opened up about her journey to stardom and the challenges that accompanied it. Now 85 years old, Baez was a major figure in the music scene when she gained recognition at just 18 after performing at the Newport Folk Festival in 1959. Appearing on the podcast *Wiser Than Me*, hosted by Julia Louis-Dreyfus, Baez reflected on the personal struggles that accompanied her rapid ascent to fame.


Baez admitted that she initially felt lost in the whirlwind of attention and acclaim. “I was very critical of myself when I was first starting out,” she stated. However, her self-doubt was never tied to her musical ability. “The voice was true, and I knew I could count on that,” she explained, despite battling significant stage fright. Baez recalled feeling nervous before each performance, relying on the encouragement of friends to propel her to the stage, after which her talent would take over.
The Newport festival proved to be a turning point for Baez’s career, with Louis-Dreyfus noting the surreal pace at which her success unfolded. “You didn’t have an album out or anything. It feels almost like a cartoon or something, it’s so lickety-split,” she remarked. In response, Baez expressed her bewilderment at her sudden rise, saying, “I don’t know how that happens.”
As she navigated her newfound fame, Baez found herself on the receiving end of intense media scrutiny. She characterised the experience as becoming “a phenomenon” and highlighted the pressure that came with it. “Everybody jumps on them,” she explained, describing the challenge of remaining grounded amidst the chaos. Baez revealed that she deliberately avoided commercial success out of fear of losing her artistic integrity, saying, “It’s kind of stunted me in a way because I was afraid that I would go ‘commercial’ and not be pure to myself and to the music.”
During the discussion, Louis-Dreyfus reminisced about a pivotal moment when Baez had to decide whether to feature on the cover of *Time Magazine*. This decision led to a commissioned painting of Baez by Russell Hoban, which now resides in the National Portrait Gallery. Reflecting on the artwork, Baez confessed her initial discontent. “As a piece of art, I do [like it],” she stated, but added with candour, “At that age, I was way too vain to have somebody make me look like, depressed, old, whatever. I wanted to look pretty. That did not look pretty.”
The conversation also touched on Baez’s insecurities regarding her appearance. In a light-hearted exchange, Louis-Dreyfus quipped, “What woman does?” to which Baez wholeheartedly agreed. She described feeling insufficient in various aspects of her life, stating, “I would say really the only thing I really was sure of was that voice coming out.” Although she later developed a sense of stability through her political activism, she reflected on her constant questioning regarding her self-image and public perception.
Baez’s political engagement has been as significant as her musical contributions. She spoke candidly about her confidence in this arena, exclaiming, “But in politics, f— ‘em. You know? I knew what I was doing,” indicating that her activism grounded her in a way that her personal insecurities did not.
This year marks a notable time in Baez’s life as well as her career. In 2017, she was inducted into the Rock and Roll Hall of Fame, followed by receiving various accolades for her activism, including the prestigious John Steinbeck Award in 2003. More recently, her life and career were chronicled in the documentary *Joan Baez: I Am a Noise*, which further explores her impact on music and society.
As Baez reflects on her extraordinary life, she encapsulates the struggles many artists face when balancing personal integrity and the demands of fame. Her story serves not only as a testament to her resilience but also provides insight into the complexities of navigating the music industry while remaining true to oneself.
