Zulu Social Club Wear Controversial Blackface Makeup for Mardi Gras Because Black Men Once Weren’t Allowed to Wear Masks

Zulu Social Aid and Pleasure Club Members Explained: The Tradition of Blackface for Mardi Gras

The Zulu Social Aid and Pleasure Club, a Black social group, has been a prominent feature of New Orleans Mardi Gras parades since the early 1900s. However, their unique tradition of wearing blackface makeup has sparked controversy and debate over the years. A recent documentary titled ‘A King Like Me’ sheds light on the historical significance behind this controversial practice.

According to the documentary, the group began using blackface makeup because, during that time, Black men were prohibited from wearing masks during Mardi Gras celebrations. This restriction led the Zulu Social Aid and Pleasure Club members to come up with a creative solution by adorning their faces with black makeup to participate in the festivities.

Barbara Rice, a parent of a Zulu member, expressed her initial shock and dismay upon witnessing the blackface makeup for the first time during a parade. She recalled feeling troubled by the makeup, likening it to how Black people were historically imitated. The traditional Zulu look typically involves covering the face in black makeup with white circles around the eyes.

Former Zulu king, Brian Sims, explained the historical background of the blackface tradition, stating that African American men were not allowed to wear masks during Mardi Gras parades, hence the adoption of blackface as an alternative. Despite the contentious nature of this practice, Sims emphasized that the intent was not to mock but to symbolize the group’s presence and identity.

The documentary delves into the conflicting perspectives within the community regarding the use of blackface by Zulu members. Radio DJ Chuck Perkins shared his personal struggle with participating in the tradition, acknowledging the cognitive dissonance it invoked. On the other hand, former Zulu king J. Herbert Banks defended the tradition, highlighting its origins in the historical restrictions faced by Black men.

Amidst the controversy, there have been calls for the Zulu Social Aid and Pleasure Club to reconsider their use of blackface and its implications. Members like Kenya Rounds have urged the group to acknowledge how the practice may be perceived as perpetuating negative stereotypes and racism. This internal debate underscores the evolving attitudes towards longstanding traditions.

Zulu Club President Elroy James emphasized that while opinions on the makeup may vary, the club’s commitment to serving the Black community remains unwavering. James urged members to focus on the positive impact of their community work, regardless of conflicting views on the blackface tradition. The discussion surrounding this issue reflects a broader dialogue on cultural practices and their relevance in contemporary society.

‘A King Like Me’, directed by Matthew O. Henderson, offers a nuanced exploration of the Zulu Social Aid and Pleasure Club’s history and the ongoing debate surrounding their use of blackface. The documentary follows the club members as they navigate challenges such as the COVID-19 pandemic and societal shifts, providing a comprehensive look at the complexities of cultural traditions in a changing world.

In conclusion, the Zulu Social Aid and Pleasure Club’s tradition of wearing blackface for Mardi Gras has sparked thoughtful conversations about the intersection of history, identity, and community representation. As they continue to grapple with the implications of this practice, the club reflects on its legacy while remaining dedicated to their mission of service and celebration within the Black community.