In an exclusive feature, author Hannah Pittard shares her personal journey and reflections on doing a wedding dress photoshoot a decade after her divorce. Pittard, known for her work including the memoir ‘We Are Too Many’ and ‘If You Love It, Let It Kill You,’ delves into the sentimental significance of her wedding dress, the only tangible item she has left from her brief marriage that ended nearly ten years ago.
:max_bytes(150000):strip_icc():format(jpeg)/Hannah-Pittard-I-Got-Wedding-Dress-Photos-Taken-a-Decade-After-My-Divorce-070725-e84d33fa849745818cf4d650a96a4b46.jpg)

Pittard’s recollections paint a picture of her unconventional approach to marriage preparations. As a reluctant bride, she shunned many traditional wedding elements, opting for a budget-friendly affair. Her wedding dress, a hand-stitched corset paired with a silk brocade skirt, captured her heart despite initial reservations about the cost. The dress, not from a high-end designer line but from BHLDN, held a special place in her heart, offering a sense of beauty and craftsmanship that resonated deeply with her.
Following her divorce after a mere three and a half years of marriage, Pittard grappled with the dilemma of what to do with her beloved wedding dress. While some opt for preservation, alterations, or donations post-wedding, the question becomes more complex for divorced individuals like Pittard. She sought insights from fellow divorcees, revealing varied reactions ranging from nonchalance to sentimentality towards their wedding attire.

Pittard’s contemplation on the fate of her wedding skirt post-divorce led her to a poignant realization about the emotional ties woven into the fabric. Despite the end of her marriage, the dress symbolized more than just a union now dissolved. It became representative of her individual journey, resilience, and evolving perceptions of love and loss. Pittard’s decision to wear her wedding skirt on multiple occasions signified a reclaiming of personal agency and an affirmation of self-love beyond the confines of a failed relationship.
Through her narrative, Pittard unearthed a broader discussion on the symbolism and significance of wedding attire, transcending societal norms and expectations. Her introspective exploration delves into the complexities of personal identity entwined with material possessions, highlighting the nuances of post-divorce reflections and reinventions. Pittard’s story serves as a poignant reminder of the enduring emotional imprints left by significant life events and the transformative power of self-expression and self-affirmation.
As Pittard embraces the memories encapsulated in her wedding dress, she contemplates the interplay between past experiences and present interpretations. Her poignant journey resonates with readers, prompting introspection on the multifaceted nature of relationships, personal growth, and the enduring legacy of cherished mementos. Ultimately, Pittard’s narrative underscores the resilience of the human spirit, the nuances of healing from heartbreak, and the beauty of finding solace and strength in unexpected places.
