Isa Briones, best known for her role as Dr. Trinity Santos in the popular HBO Max series *The Pitt*, is currently captivating audiences on Broadway as Connie Francis in the musical *Just in Time*. The production, directed by Alex Timbers, transforms the Circle in the Square Theatre into a vibrant nightclub, blending the realms of television and live performance.
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At 27 years old, Briones is no stranger to the stage. Prior to her latest role, she wowed audiences as Eurydice in the acclaimed musical *Hadestown*, where she performed alongside her father, Jon Jon Briones. In her recent conversation with *PEOPLE*, Briones expressed her excitement about bridging the gap between her television fans and her theatrical career. “It’s funny because I really notice there are a lot of people who only know me from TV, but the theatre people who knew me before are rapidly like, ‘She’s ours. We knew her before,’” she remarked. This sentiment highlights her growing presence in the theatre community, a space she feels passionately connected to.
Briones finds joy in introducing *The Pitt* fans to the art of live theatre. “If I get one person to come to a Broadway show for the first time, that’s magic,” she said, acknowledging the thrill of blending her two worlds. The interplay of these artistic realms offers her a unique opportunity to showcase the power and beauty of live performance, an experience that can be transformative for new audiences.
In *Just in Time*, Briones takes over the role of Connie Francis from Sarah Hyland, following a run filled with acclaim. Francis, an iconic figure from the late 1950s and early 1960s, is portrayed as navigating the complexities of fame while grappling with personal and professional challenges. “My favourite part of the show is singing ‘Who’s Sorry Now?’” she stated, describing the song as “gorgeous” and integral to the narrative. The poignant moment within the show resonates deeply, illustrating the emotional weight carried by the character during a traumatic time.
As she embodies Francis, Briones lends her interpretation to a woman striving for autonomy amidst an incredibly challenging environment, particularly as a female artist in a male-dominated industry. “She has such star power, but because of many circumstances, like having an overbearing father, she’s working tirelessly as a woman in the ’50s and ’60s, yet she can’t even really own her own stuff,” Briones articulated. This exploration of female struggle and determination informs her performance, lending depth and relatability to her character.
The immersive style of *Just in Time* further elevates the storytelling experience. With the stage designed to evoke the atmosphere of a lively nightclub, the musical invites audiences to engage with the narrative in an intimate setting. Jeremy Jordan, who stars as a version of himself, takes viewers through Bobby Darin’s remarkable journey from a teenage idol to a global superstar.
Since officially opening on April 26, 2025, and beginning performances in March, *Just in Time* has been met with enthusiasm from audiences, maintaining a limited run in New York City. Tickets have been extended through September 6, 2026, allowing more fans to experience Briones’s transformative performance.
As her Broadway journey continues, Isa Briones is eager to share the magic of theatre with a wider audience and looks forward to her return to *The Pitt* after the conclusion of this theatrical run. Through her work, she exemplifies the vibrant intersection of television and live performance, illustrating that an artist’s narrative can be rich and multifaceted.
For theatre enthusiasts and fans of *The Pitt*, Briones offers a glimpse into the dedication, passion, and talent it takes to thrive in both mediums, making her a compelling figure to watch in the years to come. The blending of her two careers not only enriches her artistry but also serves as a bridge for her audience, inviting them to discover the beauty and excitement of live theatre.