Hilary Duff has recently opened up about her experiences as a mother, particularly how her teenage son, Luca, has introduced her to the language of his generation. In a candid interview on the “Not Gonna Lie with Kylie Kelce” podcast, Duff, who shares Luca with her ex-husband Mike Comrie, discussed the challenges of keeping up with her son’s ever-evolving slang vocabulary.
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At 38 years old, the “Mature” singer acknowledged that her son’s reaction often leaves her questioning her use of certain terms. “All the time, I’m like, ‘What am I gonna say that’s not going to completely embarrass him?’” she said, revealing that Luca often pleads with her to refrain from using slang that he finds shameful.


Luca, who is now 13, experiences a cringe factor that is characteristic of many teenagers, as highlighted during Duff’s chat with podcaster Kylie Kelce. Kelce, who is raising four daughters, noted that the word “cringe” might itself be seen as outdated, suggesting there might be a new term among the younger generation for such feelings.
Duff proceeded to share an example of the contemporary slang that she has picked up recently. She recalled an incident where Luca was given a childhood photo by his mother’s friend, prompting him to request a “screen grab” with the intention of teasing his mate. This revelation illustrated how the interaction and humour of today’s youth lean heavily on digital culture.
The actress elaborated on the concept behind the term “getting clipped,” explaining that it refers to the aversion young people have towards being caught on camera during video calls or FaceTime. “They don’t want a screen grab to be taken of them,” Duff explained, shedding light on the growing digital etiquette among teenagers.
In addition to Luca, Hilary Duff is a mother to three daughters: Townes, 2, Mae, 5, and Banks, 7, with her current husband, Matthew Koma. Balancing motherhood and her career as a performer has proven to be challenging. In February, Duff opened up to *Rolling Stone* about the difficulties of touring while being a parent.
As she prepared for a tour and a wardrobe fitting, Duff reflected on her daughter’s illness at home, expressing a poignant concern. “In my mind, I’m like, ‘They’re going to look back at this time and be like, I was sick and my nanny was painting my toes and my mom was downstairs shopping,’” she said. This honest admission depicted the internal conflicts many working parents face between professional commitments and familial responsibilities.
In that same interview, Duff lightheartedly mentioned a conversation with Banks, who had been watching the Disney series *Bunk’d*. In a humorous attempt to connect with her daughter’s viewing habits, she suggested, “What about Lizzie McGuire? Hello!” highlighting both her nostalgia and the generational gap in popular culture.
Through her lyrical musings and exposure to her children’s interests, Hilary Duff continues to navigate the evolving landscape of parenting and pop culture, showcasing a relatable blend of nostalgia and modernity in her household. As she embraces the quirks of her children, it’s evident that this mother is committed to remaining involved in her kids’ lives, despite the occasional embarrassment that comes with trying to bridge the gap between generations.
Duff’s journey as a mother and an entertainer showcases the balancing act that many face, highlighting the importance of understanding and adapting to the perspectives of younger generations while cherishing the legacy of one’s own upbringing. With her amusing anecdotes and willingness to learn from her children, she sets a valuable example of open communication and adaptability in nurturing family relationships.
