Dylan Mulvaney, the social media influencer and performer, has opened up about her enriching experience as a transgender artist in the Broadway musical “Six.” Her reflections illuminate not only her personal journey but also the ongoing challenge of representation within the theatre industry.
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On April 23, Mulvaney, who gained widespread popularity through her viral TikTok series “Days of Girlhood,” shared a candid video depicting her preparations before portraying Anne Boleyn in “Six.” In the clip, she offered insights into what it means to be part of a long-running Broadway production as a trans performer. “I’ve been part of ‘Six’ for over two months, and I am having the time of my life,” Mulvaney remarked. Despite occasional self-doubt, she has successfully delivered numerous noteworthy performances.
Mulvaney pointed out the groundbreaking nature of her role, emphasising the rarity of trans actors being cast in mainstream musical theatre. “What’s happening at the ‘Six’ theatre is extremely uncharted territory,” she stated, highlighting that trans representation should be a more common occurrence. She believes that welcoming diverse life experiences enriches storytelling, providing audiences with fresh perspectives on iconic characters.
Reflecting on her path, Mulvaney remarked on the collaborative effort required to secure her place in the cast. “So many people need to say yes for you to be here,” she noted. “The producers of ‘Six’ took a significant leap of faith with me.” Prior to her current role, her Broadway experience was limited to a stint with “The Book of Mormon” in 2019, which made her current position especially significant.
Within “Six,” Mulvaney showcases her vocal talents with both solo performances and group dance routines. “I recently celebrated my 69th show and haven’t missed a performance yet,” she added, explaining how she prioritises her health and well-being to ensure her performances are top-notch. Altering her lifestyle, including reducing alcohol intake and focusing on nutrition, has been crucial for her, especially given the demanding vocal requirements of the musical.
In a notable adaptation, Mulvaney’s solo number, “Don’t Lose Your Head,” was slightly altered to accommodate her voice, descending half a step in key. “This change was made during the first day of rehearsal by working together to determine the best fit,” she explained. Such adjustments, she explained, are essential for trans performers attempting to navigate the complexities of musical theatre.
Critics have voiced opinions online, specifically commenting on her vocal performance during the show’s curtain call. Mulvaney admitted that initial negative feedback affected her enjoyment of that moment. “In the beginning, I was disheartened by unkind online comments,” she shared, but she has since reclaimed that sense of joy. “Now, I focus on the audience members who genuinely appreciate the effort I put into my performances.”
Expressing her commitment to growth, Mulvaney acknowledged the significance of constructive criticism but insisted that feedback from those genuinely engaged with the performance is far more valuable. “I’m invested in voice lessons each week and give everything I can during every show,” she stated.
Despite her self-awareness regarding her own abilities, Mulvaney firmly believes in the importance of the joy and humour she brings to the stage. She encourages her audience to embrace the diversity of talent among trans performers, noting, “There are many trans artists who are exceptionally talented, and it is vital that they have visibility in the industry.”
As her time in “Six” draws to a close on May 31, Mulvaney implored social media users to reconsider their approach to online criticism, acknowledging that public dialogue can influence opportunities for future trans talent. “What we bring to the stage is rich in experience,” she affirmed, advocating for an openness to adapting performances to accommodate diverse voices.
Looking ahead, Mulvaney expressed hope for an increase in opportunities for transgender individuals within Broadway. “It’s about ensuring that every character can be infused with different flavours—sometimes that flavour might just include a touch of estrogen or testosterone,” she noted. “I love Broadway, I love ‘Six’, and I love the journey I’m on.”
As an advocate for inclusion, Mulvaney believes in creating spaces where diverse identities contribute to the evolving tapestry of theatre. Meeting other aspiring trans performers at the stage door reinforces her belief that small steps toward representation matter profoundly. “While there’s still a long way to go, I trust that the changes we’re making today will inspire a future where everyone feels they can belong on that stage,” she concluded.