Film historian Jeanine Basinger has shed light on the less-discussed rivalries in Hollywood, particularly those involving legendary actress Joan Crawford. While much has been written about the infamous tension between Crawford and Bette Davis, Basinger argues that the true source of Crawford’s animosity was her dynamic with fellow actress Norma Shearer.
In her introduction to Illeana Douglas’s book, *Jungle Red! The Making of MGM’s The Women*, Basinger reflects on her friendship with Crawford and how it has informed her understanding of the actress’s experiences in the film industry. The book provides an in-depth examination of the making of the 1939 comedy, and Basinger uses this platform to unpack the complex relationships at play, particularly Crawford’s feud with Shearer.
While the public has often fixated on the Crawford-Davis rivalry, Basinger insists that Shearer was Crawford’s true adversary. Describing her conversations with Crawford, Basinger recalls that the actress expressed a strong dislike for Shearer, contrasting sharply with her views on Davis. “I count myself fortunate to have had Joan Crawford for a friend,” Basinger writes, reflecting on their relationship and the insights it has given her. “I knew from our conversations that the only Hollywood rival she really, really disliked was Norma Shearer. Bette Davis was never on her hit list.”
Basinger elaborates that the rivalry with Davis was more media invention than a genuine feud, suggesting that the two actresses simply belonged to different studios during the 1930s, which shaped their public personas. This division contributed to the myth that Crawford felt threatened by Davis, especially regarding Crawford’s relationship with actor Franchot Tone. However, Basinger dismisses this notion, asserting that “nobody could steal her man” and that anyone familiar with Davis would know she had no interest in Tone.
The complex relationship between Crawford and Shearer, as discussed by Basinger and Douglas, highlights the nuanced nature of relationships in Hollywood. Both actresses were prominent figures in the industry, and their rivalry was marked by a mix of professional competition and personal animosity. Basinger’s insights provide a rare glimpse into the inner workings of the film industry during a time when female stars were often pitted against one another.
Crawford’s career is often viewed through the lens of her public persona—the glamorous star who was as formidable as she was talented. However, Basinger’s analysis suggests a more layered narrative where Crawford’s true feelings about her contemporaries play a crucial role. It becomes clear that the historical context and personal dynamics significantly influenced the actress’s experiences and public image.
In recent years, there has been a resurgence of interest in classic Hollywood, and Basinger’s reflections contribute to a deeper understanding of the personalities that shaped an era. While Bette Davis and Joan Crawford’s rivalry gained notoriety, it is crucial to consider the influence of other actresses, particularly Shearer, on Crawford’s life and career.
Overall, Basinger’s insights remind us that the stories of Hollywood are often more complicated than they appear on the surface. A closer examination of these relationships can reshape our understanding of the past and challenge the narratives that have long been accepted as truth. As more voices like Basinger’s contribute to the dialogue around these iconic figures, we gain a richer tapestry of history that extends beyond mere rivalries and into the complexities of human relationships in showbiz.
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