In a revealing new documentary entitled “You Can See Everything,” Billy Evans uncovers just how much control he has over Elizabeth Holmes’ life while she serves her sentence at a Texas prison. The high-profile case of Holmes, who once led Theranos, a technology company valued at $10 billion, ended in scandal following her conviction for fraud. Evans, her fiancé, has been granted power of attorney over Holmes and is now effectively managing multiple facets of her public persona and life from behind bars.
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The film, produced by A24 and directed by Nathan Fielder, provides an intimate look at Evans’ role during Holmes’ incarceration. He divulges that he manages her social media presence and shapes her public image, demonstrating the significant bond of trust they share. According to Evans, he writes and posts 80% of the content on her X account, previously known as Twitter, while boasting about the ease with which he obtained access through a conversation with a company executive.
“I know what she’d want,” he says in the documentary, emphasising the level of autonomy he feels in managing Holmes’ communications. However, in a subtle yet important shift in transparency, an announcement made on September 27 stated that any future posts directly authored by Holmes would bear her initials. This change marks a move towards distinguishing her voice from Evans’ contributions, although the majority of content remains in his control.
In addition to her social media, Evans is also responsible for licensing Holmes’ image for various purposes, including billboards across the country. He negotiated a financial agreement with documentary producers for Holmes’ participation in the film but later declined to accept payment. Evans’ authority extends even further, as he has created an artificial intelligence version of her that was finalised just before she entered prison. This claim highlights the surreal and futuristic undertones of their relationship, as it raises ethical questions about identity and representation.
The documentary takes a darker turn when Evans expresses his resentment towards those he believes have wronged Holmes. “I’m going to ruin their lives,” he asserts with conviction, revealing a vindictive side that alarms some observers. When prompted about whom he is targeting, his response is alarmingly vague, filled with hostility toward “everyone” involved in Holmes’ downfall.
The film further explores the logistics behind Evans acquiring power of attorney, a process that does not require as much formal legal scrutiny in Texas as one might expect. The power is simply granted through a signed document that is then notarised—no public record is necessary. This lack of transparency raises concerns about accountability and the potential for misuse of such power.
As the documentary progresses, audience reactions to Evans become mixed. While some may view him as a devoted partner, others perceive his behaviour as erratic. A guest at Evans’ residence even refers to him as “bats— crazy” after witnessing his fervent declarations. This dichotomy reflects the complex dynamic of their relationship, which has captivated viewers and stirred debate.
Overall, “You Can See Everything” offers a rare glimpse into the complexities of loyalty, power, and identity in the shadow of scandal. Evans’ revelations highlight not only his role in managing Holmes’ life but also point to the broader implications of personal relationships intersecting with legal and ethical dilemmas. As the world watches the evolving narrative of Holmes and Evans, questions about trust, autonomy, and the nature of their bond continue to loom large in public discourse.