A new limited series titled *Below* has debuted on Netflix, featuring Josh Hartnett in the lead role as Calvin Penney, a fisherman from a small coastal town in Newfoundland, Canada. The six-part drama, which launched on 8 October, weaves a tale of mystery, tragedy, and the struggle for survival against the backdrop of a monstrous sea creature that threatens the local community.
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Calvin is a character burdened by past tragedies, including the mysterious death of his father, which weighs heavily on him as he navigates life in the nautical village of Snooks Arm. Hartnett described him as someone who feels deeply cursed and disconnected from both his family and the community, exacerbated by a series of unfortunate events in his life. This sense of alienation forms a crucial part of the storyline as Calvin faces exceptional challenges alongside the arrival of a formidable predator lurking in the waters.

As the plot unfolds, the townspeople not only contend with the encroaching terror from the depths but also manifest a peculiar illness, causing concerned citizens to contemplate evacuation. This impending crisis is further complicated by the machinations of businessman Jim Crocker, played by Frank Moore, who views the monster’s presence as an opportunity to forcibly relocate the residents in order to exploit the land for mining resources.
In a bid to confront the dual threats confronting Snooks Arm, Calvin aligns himself with Dr. Fonda Howander, portrayed by Mackenzie Davis. Fonda, a local scientist, is determined to study and protect the creature – a North Atlantic giant squid – rather than destroy it. Their partnership evolves as they work together to uncover the truth behind the creature and the affliction impacting their community.
The creature’s identity is gradually revealed as the series progresses. Described as an enigmatic cephalopod, it possesses unusually high intelligence and is unlike anything catalogued in existing marine biology records. As Fonda investigates, she learns that the squid’s aggressive behaviour is intensely linked to a protective maternal instinct for its nest, which is concealed within a swelling mass of floating ice in the harbour.
Complications arise when it becomes evident that the townspeople’s illness stems from contact with the ice. Symptoms include severe dehydration and delirium, leading to urgency among the residents. Fonda assures them that the infection could be weathered if they maintain distance from the water, but the situation escalates as they grapple with the broader implications of the creature’s presence.
As the series reaches its climax, the fate of the giant squid and Calvin’s family hangs in the balance. In a dramatic final episode, Calvin hitches an iceberg, bearing the creature, to his fishing boat and maneuvers it into deeper waters. In a poignant moment reminiscent of his childhood, he encounters the squid once more, recognisable by its eye. Although the military is momentarily restrained from taking action against the cephalopod, the creature ultimately succumbs to the natural cycle of life and death – dying after spawning.
In a sorrowful denouement, the journey of the squid is marked by the sacrifice of its life for the next generation. Fonda later reveals that the hatchlings did not survive due to the excessively warm water, hinting at impending ecological catastrophes.
Despite the turmoil surrounding him, Calvin, along with his family, survives the ordeal. The series concludes on a cautious note, showcasing Calvin and his son Wade sailing from the harbour, where they unexpectedly come across another iceberg. The scene evokes a sense of uncertainty, underscoring the ongoing challenges faced by the community.
Meanwhile, the town of Snooks Arm appears to emerge from the chaos stronger than before. Jim Crocker’s attempts to force evacuees are thwarted, allowing the residents to return safely. As the series closes, the town prepares for its annual Come Home Year event, which celebrates its identity, along with the infamous sea creature, whilst simultaneously resisting external pressures to abandon their home.
Overall, *Below* intricately explores themes of family, community, and environmental change within a compelling narrative structure, positioning viewers to ponder the fragility of life and the ecological balance in light of human ambition. While the series offers a thrilling supernatural experience, it also invites deeper contemplation of the socio-political dynamics at play in vulnerable communities facing existential threats.
