Coco Gauff has responded to a wave of online abuse following an incident during her match at the China Open that led her to pause play. The young tennis star, who is 22 years old, made headlines after stopping a point mid-rally due to distractions caused by flickering advertising screens during her encounter with Sun Xinran.
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On Monday, 5th October, Gauff halted play while serving as she felt that the advertising screens were impacting her ability to focus. Following the match, which she won decisively with a score of 7-5, 6-1, Gauff took to social media platform X to address the hostility she faced in the aftermath of her decision to stop play.
She wrote: “Hey everyone, you can dislike me or disagree about what happened without being racist. The amount of racist comments/dms I’ve received in the last few hours is insane. Lastly, I’m not a cheater or a thief.” Gauff’s remarks underline the troubling trend of online hate that has been directed at her, frequently crossing the line into racism.

During the first set, Gauff described her experience by explaining the extent of the distraction she faced. “I saw a flicker in the beginning of the point but was not sure if that is what I actually saw,” she elaborated on X. “When it flickered again, I raised my hands before she hit her shot because this is when I was sure I saw the light flicker and it wasn’t my mind doing tricks lol.” She further clarified that the rules allow for a challenge to be made if a player experiences a legitimate distraction during play.

Gauff expressed frustration regarding the backlash she received, stating, “It was an unfortunate situation but it is out of my control … and calling me [out] is ridiculous when those are the rules. I did not make them, I think it’s weird I’m getting hate for following the rules.” Her comments reflect the complexities athletes face, especially when they are judged harshly for adhering to regulations.
This incident is not the first time Gauff has encountered toxic behaviour online. Earlier in April, she spoke out against negative comments regarding her hair following a Miu Miu campaign. In an eight-minute TikTok video, she addressed those who critiqued her for wearing her natural 4C hair. Gauff stated, “My 4C hair is good enough for a high-fashion brand like Miu Miu to promote one of their newest launches. So if my hair is good enough for that, then yours is good enough to do whatever you need it to do.”
She offered encouragement to young Black girls struggling with cultural perceptions surrounding their hair, asserting, “Minimal is beautiful. Do what you want to do because people are going to hate on you regardless.” Her message extends beyond herself, as she aims to inspire resilience in young girls facing similar challenges.
Through both incidents, Gauff’s composure showcases her maturity and strength as she navigates the scrutiny that public figures often face. By speaking out against racism and promoting self-acceptance, she has become a vocal advocate not only for herself but for others who may feel marginalised.
The incidents highlight a persistent issue within the realm of sports and public life, where athletes, particularly from minority backgrounds, can experience harsh criticism that often veers into racism and personal attacks. Gauff’s ongoing commitment to challenging these narratives speaks to her determination to change the conversation surrounding representation and acceptance in the sports industry.
As discussions continue about racism and body image in sports, Gauff remains a significant voice. Her experience serves as a reminder of the responsibilities that come with public visibility, as well as the importance of allyship and support in combating hate.
In conclusion, Coco Gauff’s resolve in the face of adversity not only affirms her character as a professional athlete but also positions her as a role model who inspires others to embrace their identity and defy societal norms. With her powerful words and actions, she advocates for respect, understanding, and acceptance in both sports and society at large.
