A federal court ruling has dismissed the remaining claims in a discrimination and harassment lawsuit against Lizzo’s production company, Big Grrrl Touring. The case, initiated by former wardrobe assistant Asha Daniels in 2023, has concluded with Judge Aenlle-Rocha stating that the allegations, while unprofessional, fall outside the protections provided by Title VII of the Civil Rights Act.
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In the lawsuit, Daniels alleged she faced a “culture of racism and bullying” during her brief time working on Lizzo’s tour. Daniels’ claims included accusations of racial discrimination and inappropriate conduct by her colleagues, particularly identifying her supervisor, Amanda Nomura, as having used racial slurs. However, the judge’s ruling highlighted a lack of concrete evidence for these assertions.

Judge Aenlle-Rocha’s ruling, submitted on 1 September, emphasised that Daniels did not effectively demonstrate a broader pattern of hostility against women in the workplace or specific disparate treatment based on gender. According to the court, what Daniels described as inappropriate conduct fell within the normal tribulations expected in a workplace and therefore did not warrant legal protection.
In dismissing the racial bias claims, the judge noted that there was no substantiated evidence to support Daniels’ allegation that Nomura used racially offensive language towards her or any other colleagues. This pivotal point was significant in the judge’s decision to dismiss the case entirely.
Lizzo’s legal team, including attorney Melissa Y. Glass, celebrated the ruling as a significant victory. Glass stated that the lawsuit lacked merit and that there were no valid grounds for Daniels to pursue legal action against Lizzo or her team. She also indicated that they were exploring options to enforce their rights following this win, highlighting the team’s determination to uphold Lizzo’s reputation.
In reaction to the judgment, Lizzo, whose real name is Melissa Jefferson, publicly expressed relief. On her Instagram account, she shared a video announcing the dismissal of claims made by someone she described as a wardrobe assistant who had only worked with her for a brief period. Lizzo referred to the allegations as “ridiculous” and noted her conviction in fighting against what she termed “vicious claims.”
Daniels’ attorney, Ron Zambrano, expressed disappointment at the court’s decision. He voiced concerns that the ruling had not adequately considered the evidence, which he believed should have been weighed by a jury. Zambrano maintained that the court’s narrow assessment of the work environment overlooked cumulative incidents that painted a broader picture of workplace culture, which he felt was critical for the evaluation of Daniels’ claims.
The lawsuit had stemmed from various accusations, including allegations of racist and fat-phobic remarks, as well as claims of medical neglect that led to mental health challenges for Daniels. When the suit was initially filed, Lizzo’s legal representatives labelled the allegations as meritless and described Daniels as “disgruntled”.
Daniels has expressed that the working conditions during Lizzo’s tour resulted in anxiety and PTSD, contributing to her pursuit of legal action. Conversely, Lizzo’s team has categorically denied these claims, asserting that they were baseless and reflective of a personal vendetta rather than legitimate grievances.
As the dust settles on this legal matter, it reflects ongoing conversations about workplace culture, especially within the entertainment industry. The case has highlighted the complexities surrounding allegations of discrimination and the legal thresholds necessary to substantiate such claims in court.
With the dismissal of the lawsuit, Lizzo’s production company can now move forward, focusing on their future projects without the shadow of legal accusations. The ruling marks a notable moment for Lizzo and speaks to the often contentious nature of workplace disputes in high-profile industries.
