Ayo Edebiri, the Emmy Award-winning actress, has openly discussed the unforeseen physical challenges she faced while portraying Catherine in the Broadway revival of “Proof”. During a recent post-show talkback event, Edebiri highlighted the emotional weight of the role and its impact on her well-being.
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Following the performance on 7 July, Edebiri participated in a discussion hosted by Project Healthy Minds, a mental health nonprofit. She candidly shared her experiences from the early days of the show, revealing that the intensity of the character left her with severe headaches and unexpected weight loss. These struggles prompted a conversation with her co-star Jin Ha, who suggested that she was ‘grieving for work’, providing her with a new perspective on her emotional journey.

In “Proof”, Edebiri plays Catherine, a young woman grappling with the death of her father—a brilliant but mentally ill mathematician—while also wrestling with the fear of inheriting his mental illness. The Pulitzer Prize-winning play, originally penned by David Auburn, explores the complexities of family dynamics and the validity of personal achievements through Catherine’s interactions with her sister Claire, portrayed by Adrienne Warren, and her father’s former pupil, Hal, played by Jin Ha.
Although Edebiri is no stranger to weighty themes in her screen roles, performing live in front of an audience eight times a week has posed unique trials. She explained that theatre demands a unique kind of endurance, which varies depending on the energy of the audience. “Each show is different because of who is in the space with us,” she elaborated, acknowledging the physical toll this places on her as an actor.
Reflecting on the rehearsal process, which involved around ten hours a day, Edebiri made a striking realisation about the physicality of acting. She referred to the notion that “the body keeps the score”, emphasising the profound connection between her physical state and emotional experiences while on stage.
Her co-star Don Cheadle similarly shared his insights on the experience of embodying a character such as Robert, Catherine’s father. Cheadle explained that actors often bear the brunt of the intense emotions portrayed nightly, affecting their physical and mental health. “Sometimes you get off stage and wonder, ‘Why do I feel like this?’,” he noted, highlighting the real impact of the fictional struggles depicted in their performances.
“Proof” made its Broadway debut in 2000, featuring notable stars such as Mary-Louise Parker and Ben Shenkman. This current revival, which opened in April and is set to conclude on 19 July, marks the first time the production has been revived on Broadway since its original run. Directed by Thomas Kail, the new adaptation is notable not only for its compelling storytelling but also for featuring a predominantly Black cast.
Edebiri also spoke on the significance of this representation, reflecting on her own education in theatre. She expressed surprise at being part of a cast that includes diverse talent, noting that, during her studies, she perceived classical roles as primarily meant for white actresses. “I never imagined that this is how it would be,” she expressed, demonstrating her awareness of the cultural shifts taking place within the industry.
The response from young theatre-goers of colour has been particularly meaningful for her, as she wishes to create opportunities for those who may feel overlooked. “All I want to do is create space for people,” she stated, affirming her commitment to fostering inclusivity within the theatre community.
Project Healthy Minds aims to improve access to mental health care by providing resources for those in need. This season, they have partnered with “Every Brilliant Thing”, another Broadway production that addresses mental health themes.
Currently, tickets for “Proof” are available for purchase, with audiences encouraged to witness this emotional and powerful revival before it concludes its limited engagement.
