Zoey Deutch Says Having Two Taylor Swift Songs in “Voicemails for Isabelle” ‘Meant a Lot’ to Her (Exclusive)

**Zoey Deutch Stars in Heartfelt Netflix Film Featuring Taylor Swift’s Music**

Zoey Deutch returns to the screen with her latest project, ‘Voicemails for Isabelle’, now available on Netflix. The film, which pairs her with Nick Robinson, takes an emotional journey through love, loss, and the complexities of grief, all accentuated by the music of Taylor Swift.

In a compelling narrative, Deutch plays Jill, who finds herself unexpectedly connecting with Wes, portrayed by Robinson, after he mistakenly receives Jill’s voicemails intended for her deceased sister. Their relationship unfolds as they navigate the emotional terrain of memory and longing, highlighting the profound impact of past relationships and the healing power of connection.

The film features two poignant songs by Taylor Swift: “marjorie” and “New Year’s Day.” These tracks serve as crucial emotional anchors within the narrative, enhancing the viewer’s experience during pivotal moments. In a recent interview, Deutch expressed her elation over the inclusion of Swift’s music, admitting, “Okay, humblebrag but not humble, we have two Tay Swift songs. As a Swiftie? That’s crazy.” Robinson echoed her excitement, stating it was a “huge” accomplishment for the film.

“Marjorie,” which plays during a montage reflecting Jill’s grief for her sister, was initially a gamble for the film’s creative team. Director Leah McKendrick noted the deliberate timing of the songs, saying, “In my mind, we have this girl who’s yearning, longing, grieving, and we have the perfect song: ‘Marjorie’ just feels so right.” McKendrick was equally surprised to confirm the final cut’s inclusion of both Swift songs, especially after the initial screening left her unsure if the tracks would remain in the film.

The film’s music was scored by Este Haim and Amanda Yamate, under the supervision of Season Kent. Haim, a member of the acclaimed trio Haim and a close associate of Swift, was thrilled at the opportunity to blend their musical talents with Swift’s iconic sound. She remarked, “Any movie that has a Taylor Swift song, I’m in,” reflecting the team’s excitement to collaborate over the soundtrack.

Swift’s influence permeates the film’s emotional landscape, with one memorable scene featuring Wes quoting lyrics from her song “Look What You Made Me Do.” The reference reinforces the essence of his character’s evolution throughout the narrative. This creative choice adds layers to the storytelling, reflecting the way music can encapsulate personal experiences and shared memories.

The significance of the music extends beyond just a backdrop; it enhances the raw emotion present in Jill’s experiences as she deals with her profound loss. Haim and Yamate aimed to imbed live strings and harmonies into the score to elevate the film’s atmosphere, crafting a heartfelt portrayal of Jill’s grief. Haim mentioned, “We knew off the bat that we were going to get to touch on the very raw scenes where [Jill is] talking to her sister, where she’s feeling that grief.”

As the plot unfolds, the narrative shifts, allowing Wes to experience his own moments of longing and reflection. By the film’s conclusion, the emotional depth evidenced in Jill’s journey is mirrored in Wes’s character development, highlighting the cyclical nature of love and loss.

‘Voicemails for Isabelle’ showcases not just a romantic connection but also the beauty of memories and how they shape relationships. The film is now streaming on Netflix, offering viewers a poignant exploration of grief and healing, all underscored by the evocative music of one of the world’s biggest pop stars.

For fans of Deutch, Robinson, and Swift, this film presents a unique blend of heartfelt storytelling enriched by an evocative soundtrack that resonates long after the credits roll.