Tony Danza’s recent foray into the world of ‘Power Book III: Raising Kanan’ marks an unexpected and fulfilling chapter in his long-standing acting career. The 75-year-old veteran actor, best known for his roles in classic sitcoms like ‘Taxi’ and ‘Who’s the Boss?’, has expressed immense pride in contributing to the acclaimed Starz series, which is set in the gritty world of organised crime and family dynamics.
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Danza’s involvement with the series began with a brief appearance during the finale of season two, culminating in a more significant role as Stefano Marchetti, an Italian mafia boss, in the recently launched third season. Reflecting on his experience, Danza shared with PEOPLE magazine that it feels like “a late into [my] career gift.” He described his journey with the show as one of elation, stating, “I’m really proud to be part of it. I want people to watch it. I’m really excited about it.”
Though his role in ‘Raising Kanan’ is steeped in drama, Danza believes that the series offers a unique perspective, balancing its thrilling narrative with familial themes. He remarked, “It is really well done,” while further declaring, “through everything, it’s still a family show,” which distinguishes it from other narratives in the genre. Danza also added, “I just think it’s one of the best shows on TV,” underscoring his admiration for the writing and production quality.
The Power universe has garnered significant attention, and with the final season of ‘Power Book III: Raising Kanan’ premiering on June 12, audiences are eagerly anticipating the unfolding events. Danza highlighted that while the narrative explores the dark realms of criminal enterprises, the emphasis on family and relationships lends a deeper emotional layer to the story.
Despite initial concerns regarding the stereotypical nature of portraying an older Italian-American mobster, Danza ultimately embraced the opportunity. “I worried about taking on the role,” he admitted. “The stereotype has always been something that bothered me.” He noted that many actors, including friends of his, often find themselves typecast in such roles, which made him hesitant at first.
After his initial appearance in the season finale, Danza expressed doubt about being believable in a villainous role. “I remember thinking… they’re never going to buy me as the bad guy,” he recalled. However, upon becoming part of the show, he discovered a supportive and encouraging environment among the cast and crew, which allayed his earlier concerns. “It’s a really wonderful bunch of people,” he said, praising their collaborative spirit and commitment to the project.
Danza’s enthusiasm for ‘Power Book III: Raising Kanan’ is palpable as he looks back on his experience, with no reservations about the quality of work. “I think the writing was top-notch and the work was just right there, too, so I have absolutely no complaints,” he reflected. His affection for the character and the story lends a heartfelt layer to his performance, making it a memorable part of his illustrious career.
As the series progresses with new episodes airing every Friday, Danza’s role continues to enrich the tapestry of this gritty prequel. With audiences keen to see how the story unfolds in the final season, Danza has left an indelible mark on a show that he regards as one of the finest in contemporary television. As he prepares to bid farewell to his character, he lamented, “I’m going to miss it so much, because it was so much fun.”
In an era where television is increasingly scrutinised for representation and storytelling, Danza’s involvement with ‘Power Book III: Raising Kanan’ represents a reflection on the complexities and nuances of character portrayals, making it a significant addition to his distinguished career.