In a recent interview on SiriusXM’s “The Morning Mashup,” veteran actor Harrison Ford found himself perplexed by a colloquial term used by his co-star Sherry Cola. As the two discussed the nuances of air travel, Cola introduced the concept of “raw-dogging a flight,” leaving the esteemed 83-year-old actor bewildered.
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During the conversation, Cola, who is 36, explained her approach to flying without distractions. “Sometimes silence and solitude is necessary,” she stated, describing her tendency to spend flights simply staring into space rather than engaging in typical in-flight entertainment. “Just like sitting on a plane watching nothing, doing nothing, just staring blankly — it’s called raw-dogging a flight.”

Ford, who sat quietly during much of the discussion, eventually interjected with confusion, stating unequivocally, “That’s not what raw-dog means.” His reaction, reflecting genuine bewilderment, led to chuckles from the host and fellow cast members present at the time.
When host Nicole Ryan jokingly challenged Ford to clarify the term’s true meaning, his co-stars gasped, labelling the definition as “filthy” and “vile.” Ford, displaying a mixture of amusement and embarrassment, remarked that his colleagues were “a little late” in sharing the alternative interpretation with him. “I really didn’t, well, why would I run across something that — I’m over this part of anybody’s life,” he quipped, playfully deflecting the attention. “I have five children. People — I never — what does this mean? Why do you let me do this? And then you make fun of me. It’s because I’m old.”
The light-hearted exchange was reminiscent of the earlier episodes from the first season of “Shrinking,” where Ford’s character, Dr. Paul Rhoades, also misused the term. In that instance, he incorrectly associated “raw-dogging” with trying to engage a person who seemingly had no interest in conversing.
Ford’s co-star Christa Miller, aged 61, chimed in with a cheeky remark, saying, “You’re married, you don’t have to worry about that,” further highlighting the comedic dynamic between the cast members, who are significantly younger than the Hollywood icon.
The veteran actor shares his life and family legacy with a complicated blend of relationships. He has two sons, Benjamin, 59, and Willard, 56, from his first marriage to illustrator Mary Marquardt. His second marriage to screenwriter Melissa Mathison produced son Malcolm, 38, and daughter Georgia, 35. Ford also adopted Liam, 25, the son of his wife Calista Flockhart.
Cola’s habit of “raw-dogging” her flights had been alluded to in a previous conversation with fellow cast member D’Arcy Carden, where she described Cola’s peculiar practice of flying in silence. Carden recalled how Cola abstains from conventional distractions, choosing instead to stare vacantly at the seat in front of her. “She stares at the seat in front of her and maybe sleeps, but kind of glazes over,” Carden explained. “This girl is a full ball of energy — so much electricity running through her body. I think a plane trip is the only time she can shut it off.”
Despite the candid exchange centred around generational language barriers, Ford’s charm and authenticity shone through as he navigated the conversation with his younger colleagues. The moment served not only as comedy but also as a poignant reminder that communication can often require translation, even in the world of entertainment.
As Ford continues to balance his prolific acting career with the challenges of staying current in today’s evolving culture, moments like these illustrate the generational divide that often comes with age. The unabashed authenticity of their dialogue created an amusing portrayal of the intersection between old and new, all captured during a lively radio segment.
The exchange between Ford and Cola not only entertained listeners but exemplified the importance of communication across generations, highlighting the often humorous misunderstandings that arise in modern vernacular. In a world increasingly defined by its rapid pace of change, the heartfelt interactions between established actors and the younger generation offer a refreshing glimpse into the evolving landscape of language and humour in contemporary society.
