FKA twigs, the acclaimed artist known for her innovative sound and choreography, has spoken highly of Missy Elliott’s unique contributions to music, particularly her exceptional lyricism and rhythmic style. In an essay published in the New York Times, twigs expressed her admiration for Elliott, who has recently been honoured as one of “The 30 Greatest Living American Songwriters.”
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The essay, released on 28 April, celebrates Elliott’s artistic prowess, and twigs, whose real name is Tahliah Barnett, provided insight into how the “Work It” rapper has influenced her life and career. Reflecting on her experiences growing up, twigs noted that Elliott’s music was a staple during her formative years. “Her music was like the holy grail; you couldn’t take a hip-hop class and have it not be to Missy Elliott,” she wrote, highlighting how deeply embedded Elliott’s work is within the hip-hop genre.

Twigs elaborated on the indelible impact of Elliott’s music, describing her ability to balance tenderness and sensuality with a bold, even provocative lyrical style. “She was able to be so tender and so sensual — and also had this chic vulgarity to some of her lyrics,” twigs noted, commending Elliott’s silky delivery which enhances her lyrical narratives.

Particularly noteworthy, according to twigs, are the infectious rhythms that characterise Elliott’s songs. She pointed out moments that stand out in Elliott’s discography, such as the dynamic introduction of “Get Ur Freak On” and the catchy “ra-ta-ta-ta” verse from “Work It.” These components contribute significantly to the appeal of her music, creating a sound that resonates with audiences.
Twigs specifically praised Elliott’s inventive approach to language and sound, exemplified in the lyric, “Don’t I look like a Halle Barry post-ahhh?” from “Work It.” She appreciated the way Elliott manipulates vowels and consonants, creating beats that feel both instinctive and sophisticated. “It just seemed natural, the way she would use her mouth,” twigs wrote, emphasising the artistry involved in Elliott’s unique vocal delivery.
The essay highlighted how Elliott’s innovative rhythms engage listeners, making them feel an integral part of the musical experience. Twigs wrote, “She took these rhythms into pop culture. It’s playful,” emphasising the fun and approachable nature of Elliott’s artistry. She described the rapper’s lyrics as cheeky and at times confrontational, yet delivered in a manner that is both palatable and authentic. “She completely changed the culture by being herself,” twigs declared.
Missy Elliott’s career has been a remarkable journey, boasting five top-10 albums on the Billboard 200 and 11 top-10 hits on the Billboard Hot 100. Her influence on the music industry is undeniable, and she has been decorated with four Grammy Awards, alongside prestigious inductions into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame.
In response to her inclusion on the New York Times’ list, Elliott shared her gratitude on Instagram, writing, “I am so humbly GRATEFUL.” Her humble acknowledgment of this recognition illustrates her character, despite her esteemed position in the music world.
In conclusion, FKA twigs’ tribute to Missy Elliott serves as a poignant reminder of the profound impact artists can have on one another and the culture at large. Through her rhythmic genius and boundary-pushing lyricism, Elliott has not only shaped the sound of hip-hop but has also inspired a new generation of musicians, including twigs herself. The landscape of contemporary music continues to be enriched by Elliott’s creative spirit, solidifying her place among the greats and influencing the future of the genre.
