9 Surprising “Pretty Woman” Behind-the-Scenes Facts (Including the Film’s Original Title!)

**Celebrating the Milestones of an Icon: Pretty Woman Turns 36**

This March marks the 36th anniversary of the classic romantic comedy “Pretty Woman,” directed by the notable Garry Marshall. The film first graced cinemas on March 23, 1990, and has since established itself as a beloved staple of the genre, thanks in no small part to its captivating performances by Richard Gere and Julia Roberts.

In “Pretty Woman,” Gere portrays Edward Lewis, a wealthy corporate raider, who hires Vivian Ward, played by Roberts, a spirited young sex worker, to accompany him for a week. The plot revolves around their growing relationship that evolves from a simple business transaction into a life-changing romance. The initial agreement, which included a $3,000 payment along with a high-end wardrobe and stipulations against kissing, sets the stage for a delightful love story filled with charm and wit.

Despite its popularity, those who delve deeper into “Pretty Woman” might be surprised to learn that the film’s conception was markedly darker. Originally titled “3,000,” a reference to the sum for Vivian’s services, the screenplay took on a more serious tone, depicting a bleak outcome for its protagonist. Screenwriter J.F. Lawton drew inspiration from the 1987 film “Wall Street,” envisioning a narrative where the characters faced dire consequences. However, under Marshall’s direction, the film was transitioned to a more uplifting storyline, ultimately allowing for a fairy-tale conclusion.

Julia Roberts, reflecting on the film’s significant themes, remarked in a 2019 interview with The Guardian that the film might not withstand the scrutiny of contemporary audiences. While acknowledging its problematic aspects regarding classism and sexism, she defended its enduring charm and the connection it forms with viewers across generations.

The chemistry between Gere and Roberts was not only evident on screen; it also played a crucial role behind the scenes. Gere, in discussions marked by fondness, revealed that he was immediately captivated by Roberts during their initial meeting. The two talents, who would eventually become icons of the era, transformed the script into a romantic classic, bolstered by a soundtrack filled with memorable tunes and instantly quotable lines.

Fans of “Pretty Woman” might find delight in some lesser-known facts about the film. For instance, the role of Vivian was not always destined for Roberts, despite her now-iconic portrayal. The casting process initially considered alternatives like Michelle Pfeiffer for the part and Al Pacino for Edward. In a twist of fate, Gere was initially hesitant to join the cast but was convinced after a heartwarming gesture from Roberts, who had left him an encouraging note during their discussions.

Interestingly, Roberts had a stipulation before filming began: she insisted on having a body double for scenes that required nudity. At just 20 years old during filming, the actress was adamant about maintaining her comfort and boundaries, a decision that resonated with many young women viewing the film.

The magic of “Pretty Woman” can also be attributed to its memorable scenes, uniquely punctuated by spontaneous moments. One such iconic exchange occurred when Edward presents Vivian with a necklace, slamming the box shut just as she reaches for it, provoking an authentic laugh from Roberts. This improvisation exemplifies the film’s playful tone and the lighthearted spirit that endeared it to audiences.

Moreover, the film’s story cleverly intertwines art and life, notably through the opera scene featuring “La Traviata.” The opera, which tells the tale of a courtesan and her wealthy lover, mirrors the narrative of “Pretty Woman,” thus creating a poignant reflection on love and society. While the opera’s original storyline is laced with tragedy, the film reinterprets this theme into a hopeful and optimistic conclusion.

The legacy of Garry Marshall extends beyond “Pretty Woman,” as he built a filmic universe where familiar faces and recurring jokes became hallmarks of his productions. Fellow actor Héctor Elizondo, who portrayed the amiable hotel manager Barney, appeared in various Marshall films, cultivating a sense of familial continuity throughout his body of work.

As “Pretty Woman” marks this milestone anniversary, it continues to resonate across the decades, a testament to its engaging narrative, compelling performances, and the heartfelt magic that remains enduringly appealing. For old fans and new viewers alike, there’s never a wrong time to revisit this iconic film and celebrate its enduring legacy.