A highly-anticipated sequel to the beloved film “The Devil Wears Prada” has been causing quite a stir in the fashion world. As the production of “Devil Wears Prada 2” moves forward, fans have been eagerly awaiting glimpses of the costumes and the overall aesthetic of the film. The original movie, released in 2006, starred Anne Hathaway, Emily Blunt, Meryl Streep, and Stanley Tucci, and left a lasting impression on audiences with its iconic fashion moments.
One particular People’s Style & Beauty editor has shared her candid opinions on the costumes of the upcoming sequel. A self-proclaimed fan of the original film, she expressed her concerns and hopes for the new installment. As someone deeply attached to the nostalgia and glamour of “The Devil Wears Prada,” she admitted to feeling apprehensive about any potential changes or missteps in the sequel.
The production for the sequel has been in full swing since June, with snippets of the costumes and characters being unveiled gradually. While some fans have voiced mixed reviews on the wardrobe choices so far, the attention seems to be focused on the costumes curated by Molly Rogers, who has taken over from the renowned costume designer Patricia Field. Field’s influence on the original film’s fashion was undeniable, and fans are curious to see how Rogers will interpret the iconic styles for the new movie.
As the Style Editor examines the new looks, she acknowledges some nods to the original characters’ styles that resonate well with fans. Characters like Nigel and Emily Charlton seem to maintain their distinct fashion flair, keeping true to their personalities and the essence of the story. However, it is the transformations of the central characters, Miranda Priestly and Andy Sachs, portrayed by Meryl Streep and Anne Hathaway respectively, that appear to raise eyebrows.
The editor delves into her thoughts on Miranda and Andy’s costumes, expressing a mix of approval and confusion regarding their updated looks. While appreciating the evolution of Andy’s style from a norm-core girl to a more fashion-forward individual, she questions the coherence and relevance of some of her outfits. Similarly, she critiques Miranda’s apparent shift towards more average and subdued attire, which may mirror her character’s narrative arc but seems to lack the signature glamour associated with the character.
Nevertheless, amidst the uncertainties surrounding the costumes, there is optimism for a Met Gala-inspired sequence in the film that promises a return to the extravagant and opulent fashion moments reminiscent of the original movie. The Style Editor conveys her hope that the sequel will elevate its fashion choices beyond mere trend-following and commercial appeal, aiming to capture the essence of escapism and aspiration that defined the first film’s fashion sensibilities.
Reflecting on the significance of fashion in storytelling, she concludes her assessment by emphasising the importance of maintaining the allure and exclusivity that made “The Devil Wears Prada” a fashion classic. As fans eagerly await the release of “Devil Wears Prada 2,” there is a collective hope that the costumes will capture the magic and sophistication that made the original film a standout in the fashion and film industry.