Gracie Lawrence, known for her band Lawrence and her role in The Sex Lives of College Girls, is making waves on Broadway alongside Jonathan Groff in the play Just in Time. The Bobby Darin bio-musical, where she portrays Connie Francis, has earned her a well-deserved Tony Award nomination.
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Lawrence, 28, is no stranger to Groff’s intense performances that result in his spit flying during singing. Despite the potential hazards, she embraces Groff’s unique style, even joking about getting splashed during their shows at the Circle in the Square Theatre in New York City.
During a recent interview at the 2025 Tony Awards’ Meet the Nominees event, Lawrence expressed her enthusiasm for Groff’s exuberant singing, stating, “He’s spit inside me, up my nose, his saliva — but I live for it. Give it to me!”
The Just in Time production brings to life the captivating story of Connie Francis, a pop star from the late ’50s and early ’60s, known for hits like “Stupid Cupid” and “Where the Boys Are”. The musical delves into Francis’s secret romance with Bobby Darin, a relationship overshadowed by her father’s disapproval which kept them apart.
While portraying Francis on stage, Lawrence discovered a newfound admiration for the iconic singer’s deep catalog and life story, particularly her romance with Darin. Lawrence admits she didn’t know much about Francis before taking on the role but now considers herself a dedicated fan.
Gracie Lawrence draws parallels between her own journey in the music industry and Francis’s experiences, especially the challenges faced by women artists during that era. She reflects on the resonance of Francis’s music, noting its enduring popularity across generations, even trending on platforms like TikTok.
With her Tony Award nomination for Just in Time, Lawrence feels humbled by the recognition and grateful for the opportunity to perform on Broadway. She describes the experience as a significant honour and cherishes the chance to connect with audiences through her portrayal of Connie Francis.
Despite the occasional spit-slinging from Groff during performances, Lawrence finds working with the talented performer a joy. She playfully remarks on the challenge of pretending to fall in love with Groff on stage, emphasizing her deep admiration for his skills as an actor.
The success of Just in Time highlights Lawrence’s growing presence in the Broadway scene, building on her debut in Brighton Beach Memoirs in 2009. As she navigates her newfound recognition, Lawrence remains focused on her passion for performing and connecting with audiences, hoping to inspire them through her work.
In conclusion, Gracie Lawrence’s journey from a Tony Award nomination to portraying a legendary figure like Connie Francis showcases her dedication to her craft and the depth of her artistic talents. Her collaboration with Jonathan Groff in Just in Time exemplifies the magic of theatre and the power of storytelling to captivate audiences across generations.