“We Are the World” at 40: Bob Dylan’s Session Misery Revealed
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A milestone anniversary of the iconic charity single “We Are the World” by the supergroup USA for Africa, co-written by Michael Jackson and Lionel Richie, marks a momentous occasion. Upon its release forty years ago, the star-studded song has not only raised an incredible $80 million for Ethiopian famine relief and other humanitarian causes but also offered a glimpse of Bob Dylan looking utterly miserable. The image of a despondent Dylan has become a widely circulated meme, resonating with many for its depiction of existential dread that we have all felt at some point in our lives.
In a 2022 interview with The Hollywood Reporter while promoting Netflix’s documentary “The Greatest Night in Pop,” Richie revealed the truth behind Dylan’s demeanor during the historic 1985 recording session. Despite being surrounded by over 40 music legends like Ray Charles, Tina Turner, Bruce Springsteen, and more, Dylan was reportedly experiencing a nervous breakdown, as confessed by Richie himself.
Delving deeper into the events of that fateful day, PEOPLE embarked on an exploration of what could be considered Dylan’s darkest moment. It is fascinating to note that Dylan’s decision to participate in the project was somewhat unexpected, given his reputation for being mercurial and even reclusive at times. However, the venture aligned with his past involvement in musical activism during the ’60s alongside icons like Joan Baez and Phil Ochs, propelling the notion of music as a force for positive change and setting the stage for charity singles.
The session, scheduled for January 28, 1985, immediately following the American Music Awards in Los Angeles, brought together a constellation of stars in the music industry. Richie, along with co-writer Michael Jackson and producer Quincy Jones, helmed the operation, with uncertainties looming over Dylan’s attendance. To everyone’s surprise, Dylan was among the first to arrive, setting the stage for a series of awkward encounters and moments that would define his experience that night.
As the evening unfolded, Dylan found himself at the center of unwanted attention from various celebrities present. From Diana Ross eagerly greeting him to Billy Joel introducing his supermodel fiancée and Al Jarreau fawning over him, Dylan’s discomfort was palpable. Even Bruce Springsteen, a self-proclaimed admirer who referred to Dylan as “the father of my country,” shared a warm moment with the legendary artist, highlighting the contrasting reactions Dylan elicited from his esteemed peers.
The recording session itself proved to be a challenging ordeal for Dylan, with footage capturing his unease and isolation amidst the choir of notable singers. His struggle to deliver his solo heightened the tension, ultimately resulting in a moment of vulnerability for the usually enigmatic artist. Jones, Wonder, and Richie stepped in to offer support and guidance, encouraging Dylan to embrace his unique style and find his comfort zone among the stellar ensemble.
Despite his initial reservations and evident discomfort, Dylan eventually found his footing and delivered a poignant performance that resonated with the spirit of unity and compassion underlying the project. The session may have been a tumultuous experience for Dylan, but it also showcased his resilience and artistry in navigating unfamiliar territory.
In retrospect, Dylan’s participation in “We Are the World” stands as a testament to his enduring legacy and willingness to step out of his comfort zone for a meaningful cause. While the session may have been a challenge for Dylan, it remains a poignant chapter in the story of a music legend grappling with vulnerability and finding his voice in a moment of global solidarity.