Amanda Seyfried, known for her roles in popular films like “Mamma Mia! Here We Go Again” and currently working on a sequel to “Jennifer’s Body,” has recently opened up about experiencing what she describes as “sequel fatigue” in Hollywood. In a candid interview with Rachel Brosnahan for Interview Magazine, Seyfried shared her thoughts on the current trend of sequels dominating the summer blockbuster lineup. The actress expressed a desire for more original content in the industry, highlighting her belief that creating sequels is often driven by financial motivations rather than artistic integrity.
:max_bytes(150000):strip_icc():format(jpeg)/Amanda-Seyfried-mamma-mia-092624-1-004eec018a48413b934d211e773b3271.jpg)
During the conversation, Seyfried expressed her frustration with the prevalence of sequels in Hollywood, stating, “I want original content. I think it’s really scary and brave to do it. It’s not scary and not very brave to do sequels. It’s just for money and it’s frustrating.” Despite her reservations about sequels, Seyfried acknowledged that there are exceptions to her stance, particularly when it comes to projects that hold personal significance to her. One such exception is the possibility of a third instalment in the popular ABBA jukebox musical franchise, “Mamma Mia!,” in which she would eagerly participate.
In addition to a potential “Mamma Mia! 3,” Seyfried is also actively involved in the development of a sequel to the cult classic film “Jennifer’s Body.” The actress has been vocal about her excitement for the project, which has garnered interest from fans since Diablo Cody, the writer of the original film, hinted at the possibility of a follow-up. Seyfried’s enthusiasm for revisiting these beloved characters demonstrates her willingness to engage with sequels that hold a special place in her heart, despite her overall reservations about the industry trend.
The conversation around sequels in Hollywood extends beyond Seyfried’s personal projects to the broader landscape of the film industry. With franchises like “Jurassic World Rebirth” and “Superman” dominating the box office, the prevalence of sequels and reboots has become a prominent feature of the cinematic landscape. Seyfried’s comments shed light on the complex relationship between creative risk-taking and commercial success in an industry that often prioritises familiarity and brand recognition.
As Seyfried navigates her own career choices and evaluates potential sequel opportunities, her reflections offer a glimpse into the inner workings of Hollywood and the challenges faced by actors and creators in balancing artistic fulfilment with financial considerations. By voicing her concerns about the industry’s reliance on sequels, Seyfried invites a broader conversation about the importance of original storytelling and creative innovation in an era dominated by franchises and reboots.
Despite her reservations about the prevalence of sequels in Hollywood, Seyfried’s willingness to engage with projects like “Mamma Mia! 3” and a “Jennifer’s Body” sequel demonstrates her commitment to honouring the legacy of these films while also advocating for greater diversity and originality in the industry. As audiences await the release of these potential sequels, Seyfried’s candid reflections serve as a reminder of the complexities inherent in navigating the ever-evolving landscape of contemporary cinema, where the pursuit of creative excellence must coexist with the demands of commercial viability.