In a recent revelation, Billy Evans, partner of Elizabeth Holmes, shared intriguing details about footage from their documentary, “You Can See Everything.” The film, directed by Nathan Fielder and Lance Oppenheim, chronicles the lives of Holmes and Evans leading up to Holmes’ federal prison sentence in 2023. In various posts shared on X, Evans highlighted a particular scene that, he feels, should have made the final cut.
Evans, 34, claimed that he and Fielder engaged in a playful wrestling match during the filming, likening it to a scene from the cult classic “Borat.” “I really wish they’d kept the scene where I wrestled Nathan, Borat style,” he commented on the social media platform. Evans described the encounter as quite the spectacle, jokingly referring to it as “full top mount” while he thought Fielder was playing along until he realised otherwise, leaving him taken aback during the shoot.
In response to another user’s curiosity regarding the nature of their wrestling, Evans clarified that they were clothed during the scene. He recounted how Fielder, prior to the wrestling match, was instructed by co-director Oppenheim to remove his phone and look up before Evans playfully tossed him into the pool. The light-hearted wrestling quickly escalated, indicating a spontaneous moment that Evans believed was more of a skit than a serious scene.
The documentary captures a significant chapter in Holmes’ life, following her and Evans for over three years. It notably focuses on the lead-up to her sentencing in May 2023 for defrauding investors while she was at the helm of her now-defunct health-tech company, Theranos. The film transitions into depicting life after her sentencing, showcasing Evans navigating the new reality of their family life with their two children, William and Invicta.
Evans has been vocal on social media since the release of the documentary on October 16, 2023. He encouraged Fielder and Oppenheim to consider releasing all the raw footage that didn’t make the cut, voicing a desire for transparency. “They filmed us for 3 years. Every conversation up for debate, with someone else deciding what to show,” said Evans in a response to a user’s request for more footage. This hint at unreleased material raises questions about the editing choices made during the documentary’s production.
The film not only chronicles the couple’s life before Holmes’ sentence but also offers a glimpse of their lives into 2025. As the documentary unfolds, it reveals the complexities of their day-to-day existence amidst intense public scrutiny. Evans has faced speculation regarding his role in their relationship, leading him to directly address concerns of control in an “Ask Me Anything” session on social media.
The dynamics of the couple’s relationship are presented against the backdrop of Holmes’ highly publicised downfall, creating a compelling narrative for viewers. Evans’ candid reflections and insights have resonated with audiences, drawing attention to the nature of documentary filmmaking and the subjective choices that shape public perception.
As the story continues to unfold, the relationship between Holmes and Evans, combined with the documentary’s behind-the-scenes anecdotes, illustrates the blurred lines of public and private life in the realm of contemporary media. Additionally, Evans’ social media presence appears to be helping navigate this ongoing narrative while also engaging fans and curious followers.
“You Can See Everything” is now available in theatres, offering a multi-dimensional view of the events leading up to an extraordinary chapter in the life of Elizabeth Holmes. As audiences digest the documentary, reactions and discussions surrounding the authenticity of the portrayal and potential future releases of additional footage are likely to continue capturing attention in the public sphere.
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