Mark Ronson recently paid tribute to the late Amy Winehouse at a special concert in London, celebrating the 20th anniversary of her acclaimed album, *Back to Black*. The event took place on October 21 at the Roundhouse, a venue that holds sentimental value for Winehouse, who was a long-time resident of the Camden area.
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Ronson, now 51, co-produced *Back to Black* alongside Salaam Remi, and he expressed his admiration for Winehouse’s exceptional talent and songwriting skills during the tribute. Reflecting on their first meeting in New York in 2006, he recounted how they swiftly formed a connection through their mutual appreciation for music, particularly the sounds of the 1960s. This collaboration was instrumental in shaping the retro-soul essence that would define Winehouse’s landmark album.

The multi-talented producer recalled his overnight inspiration for the album’s title track, which came shortly after their initial meeting. Their partnership resulted in several iconic songs, including hits like “Rehab” and “You Know I’m No Good.” Tragically, Winehouse passed away in July 2011 at the tender age of 27 due to accidental alcohol poisoning, yet her music continues to resonate deeply with fans and artists alike.

During the concert, Ronson took a moment to engage with the audience about the intricacies of Winehouse’s songwriting. He described her musicality as “monstrous” and shared how challenging it was for him to navigate the complex, jazz-inflicted chords in her compositions. Performing “Love Is a Losing Game” alongside Yebba, a rising star, Ronson aimed to honour Winehouse’s original style by attempting to master the intricate chords he found so difficult.
The evening featured an impressive roster of female artists who took to the stage to perform various tracks from *Back to Black*, with the talented Amy Winehouse Band providing instrumental support. Corinne Bailey Rae commenced the night by performing the album’s title track. Other standout performances included Sasha Keable’s interpretation of “Just Friends” and Nia Smith’s soulful rendition of “Tears Dry on Their Own.”
Lianne La Havas captivated the audience with her version of “You Know I’m No Good,” while Baby Rose brought her rich vocal style to “Wake Up Alone.” Jorja Smith also graced the stage with her performance of “Some Unholy War,” adding a contemporary touch to the nostalgia-laden evening. R&B trio FLO rounded off the set with their take on “He Can Only Hold Her,” showcasing the influence of the 1960s girl groups that inspired Winehouse’s unique sound.
The concert drew to a crescendo with Jessie Reyez closing the show by performing “Rehab.” Ronson praised Reyez’s raw vocal quality, suggesting that her artistry reflected Winehouse’s unfiltered approach to songwriting. He expressed that Reyez’s voice carries a reminiscent rasp that aligns closely with Winehouse’s distinctive style.
Despite the emotional atmosphere, the celebration was not yet complete. Following a rousing round of applause from an appreciative crowd, Ronson invited all the performers back on stage for a final rendition of “Valerie.” Although this classic was not included in *Back to Black*, Winehouse’s cover of the original track by the Zutons for Ronson’s *Version* album has since become synonymous with her legacy.
Mark Ronson concluded the tribute by reflecting on the impact of *Back to Black*, sharing his heartfelt gratitude for having been involved in the creation of an album that continues to resonate with countless listeners. “I can’t believe I got to be part of that record,” he remarked, acknowledging its significance in the lives of many.
*Back to Black* was officially released on October 27, 2006. Through the tribute concert, Winehouse’s powerful musical legacy was vividly celebrated, highlighting both her influence on the music industry and the profound bond she shared with those who collaborated with her.
