Brandi Carlile, the acclaimed singer-songwriter, delivered an emotional karaoke rendition of Celine Dion’s iconic ballad, “It’s All Coming Back to Me Now,” at the historic Stonewall Inn in New York City on 30th September. This impromptu performance captivated both her supporters and fans, known affectionately as “Bramily,” as she embraced the spirit of the venue famous for its pivotal role in LGBTQ+ history.
:max_bytes(150000):strip_icc():format(jpeg)/Brandi-Carlile-does-karaoke-to-Its-All-Coming-Back-to-Me-Now-381020861734458796fafdd91cecec1b.jpg)

The karaoke event followed an hour-long concert Carlile had performed earlier in the evening at the Stonewall National Monument Visitor Center. This concert doubled as a fundraiser aimed at celebrating the release of a deluxe edition of her 2025 album, “Returning to Myself (Sad Gay Version).”

Released in August, the deluxe version of the album features reimagined takes on all ten original songs, alongside a unique rendition of Billy Joel’s “And So It Goes.” During her performance at the Stonewall venue, Carlile also showcased other tracks from the album, including “A Woman Oversees” and “A War With Time.” Each selection resonated with the audience, reflecting Carlile’s ability to connect emotionally with her listeners.
At the karaoke event, Carlile’s rendition of Dion’s love song drew cheers and applause as she sang, “If I kiss you like this / And if you whisper like that / It was lost long ago, but it’s all coming back to me.” This powerful expression of nostalgia encapsulated the evening’s atmosphere, filled with celebration and remembrance.
In addition to her tribute to Dion, Carlile also delighted the crowd with a cover of Madonna’s 1989 classic, “Like a Prayer.” The performance demonstrated her penchant for blending genres while paying homage to the musical legends that have influenced her career. Demonstrating her appreciation for the LGBTQ+ community, Carlile has often spoken candidly about the therapeutic nature of music, particularly for individuals grappling with their identities and emotions.
Reflecting on the title of her latest album, Carlile elaborated on the concept of the “Sad Gay” genre. “When I was a teenager, I loved to toy with my own emotions by actively seeking out songs in a genre that very few are willing to call by its rightful name,” she shared before the album’s launch. She continued, “You don’t have to actually be gay to let it break your heart into a thousand pieces; it will do that against your will.” Her heartfelt connection to the music illustrates her understanding of the human experience, striking a chord with a diverse audience.
During the concert at Stonewall, Carlile engaged in a conversation with photographer Collier Schorr, who had captured the cover image for “Returning to Myself.” During their exchange, she reflected on the vital role of LGBTQ+ artists in addressing challenging topics and the significance of venues like Stonewall in preserving the memory of queer resilience.
Carlile’s commitment to her craft and community was evident throughout the evening, as she not only performed but also used her platform to advocate for the queer community and celebrate its rich history.
In a world where music serves as both an escape and a means of connection, Brandi Carlile exemplifies how artists can create spaces that foster understanding and support. The celebration at the Stonewall Inn was more than just a concert; it was a profound acknowledgment of resilience, love, and the unifying power of music.
