**‘The Price Is Right’ Models Reflect on the Show’s Mixed Legacy**
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Since its inception in 1972, *The Price Is Right* has become synonymous with daytime television, creating a unique platform where model contestants, known as “Barker’s Beauties,” showcased various products as part of the game show’s exciting format. While the show has enjoyed enduring popularity over the years, it has also faced significant scrutiny as allegations surrounding former host Bob Barker and the treatment of its models have come to the forefront.

In March 2026, a two-part docuseries titled *Dirty Rotten Scandals* aired on E!, reigniting discussions about the experiences of the models who worked on *The Price Is Right*. Former contestants, such as Holly Hallstrom and Kathleen Bradley, spoke candidly about the inequities and pressures they faced while working on the show.
Kathleen Bradley, who broke barriers as the first permanent Black model on *The Price Is Right* from 1990 to 2000, shared her disillusionment during her time on set. Reflecting on her experiences, she described incidents of inappropriate behaviour by crew members, highlighting an atmosphere of harassment. “One guy in particular was too friendly,” Bradley recounted, revealing that her reports to producers about the inappropriate conduct yielded no action. Her reflections underscore the dark undercurrents that often overshadowed the glamorous facade of the show.
The legacy of *The Price Is Right* extends beyond its entertainment value and confronts serious issues of sexism and workplace misconduct. Bradley’s testimony, along with similar accounts from other former models, contributes to a growing narrative that challenges the reputation of the long-loved game show and its host, Bob Barker. Despite denying allegations of sexual harassment, Barker’s legacy has become complex, tainted by these troubling claims that have surfaced in recent years.
Among the original models was Janice Pennington, who participated from the show’s relaunch in 1972 until her departure in 2000. Pennington described her time on the programme as a cherished experience, stating it felt like being part of a family. Her close connection with colleagues on set provided a stark contrast to the negative experiences voiced by some of her peers, highlighting the disparate realities within the same environment.
Another notable model, Dian Parkinson, worked on *The Price Is Right* from 1975 until 1993. Following an alleged affair with Barker and a lawsuit for sexual harassment in 1994, Parkinson’s experience evidently weighed heavily on the culture behind the scenes. Hallstrom, who also participated in the docuseries, recalled the scrutiny aimed at Parkinson and the legal battles that ensued, revealing a tumultuous atmosphere for those involved. Parkinson’s reclusiveness post-show has left her storyline largely unresolved, with her current circumstances remaining largely unknown.
Holly Hallstrom, a model from 1977 to 1995, has taken steps towards healing since leaving the show. Hallstrom recounted her own challenges after being dismissed from the programme amid personal disputes, including a wrongful termination lawsuit that eventually settled in her favour. Currently, she dedicates her time to helping victims of trauma, sharing her journey of transformation and resilience in the face of adversity.
Anitra Ford, another former model who appeared from 1972 to 1976, has transitioned into a new career as a multimedia artist. Ford’s focus has shifted considerably since her modelling days as she continues to cultivate her passion for art and creativity.
Current models such as Rachel Reynolds, who has been part of the show since 2003, and Amber Lancaster, starting in 2008, express pride in continuing the legacy of *The Price Is Right*. Nevertheless, their experiences highlight significant changes in the working environment, indicating a possible shift towards a more respectful and professional tone on set.
Manuela Arbeláez and Gwendolyn Osborne, models from more recent years, have also brought their own entertainment ventures outside of the show. Their involvement demonstrates the ongoing relationship of the models with the entertainment industry, diverging from earlier predicaments faced by their predecessors.
As discussions about workplace equality and safety continue to evolve, the revelations from *The Price Is Right* serve as an important reminder of the industries that need reform. With numerous former contestants bravely sharing their stories, the documentary series highlights a critical moment in entertainment history. *The Price Is Right* remains a beloved staple of afternoon television; yet, behind its legacy lies a complex narrative of both glamour and difficulty, encapsulating the need for ongoing dialogue about values within the industry.
For those who may have experienced similar trauma, resources such as the Crisis Text Line are available, connecting victims with certified professionals to discuss their situations and seek support.
