“Obsession” Star Michael Johnston Says ‘There Is No Plan’ for a Sequel Even After It Broke Box Office Records (Exclusive Clip)

**Film ‘Obsession’ Breaks Records but No Sequel Planned, Says Star**

*London* — The independent horror film “Obsession,” released in May, has quickly made its mark as a significant player in the film industry by becoming the highest-grossing original horror movie of the century. As the film continues to draw viewers, questions surrounding a potential sequel have emerged. However, actor Michael Johnston, known for his role in the film, recently revealed that there are currently no plans for a follow-up.

During a conversation on the “I’ve Never Said This Before” podcast on 14 July, Johnston reflected on the film’s astounding success while addressing the possibility of revisiting the story. Despite its impressive box office performance, which has seen it gross over $400 million globally, he made it clear that fans should not hold their breath for a sequel. “Look, it’s a magical world. Anything can happen. I would love that,” Johnston stated, but he reiterated that a sequel is not currently in the works.

The film’s plot centres around Bear, a hopeless romantic portrayed by Johnston, whose desire to win over his love interest, Nikki, takes a dark turn after he breaks a mystical tree known as the “One Wish Willow.” This supernatural thriller offers a cautionary tale on the true cost of wish fulfilment.

Despite the absence of a sequel, Johnston mentioned a humorous idea he has for continuing the narrative. He joked that a potential sequel could feature Bear’s parents returning to town, unbeknownst to the chaos that ensued due to Bear’s fateful wish. “They could ask, ‘What happened?’ before accidentally stepping on the mysterious willow themselves,” he quipped.

In the same podcast episode, Johnston expressed enthusiasm for an innovative direction proposed by writer-director Curry Barker. Instead of a traditional sequel, Barker envisions “Obsession” as part of an anthology series with various stories linked by the theme of wishes gone awry. “Curry’s idea of having it be an anthology series is really, really cool,” Johnston said, indicating that fresh narratives could emerge entirely detached from Bear’s storyline.

The film has enjoyed remarkable financial success, having been produced on a modest budget of approximately £750,000 within a 20-day shooting schedule. In the two months post-release, “Obsession” has earned over £245 million in the United States alone, alongside £157 million from international markets. The independent film industry rarely witnesses such extraordinary financial returns, making its success a topic of considerable discussion among film enthusiasts and industry professionals alike.

Aside from discussing sequels, Johnston addressed a key theme of the film regarding Nikki’s feelings towards Bear. He pondered whether Nikki, played by Inde Navarrette, ever truly loved his character. Johnston noted that while he initially believed Nikki’s affections were ambiguous, further conversations with Navarrette and Barker revealed a more profound dynamic. They suggested that Nikki had indeed shown genuine feelings but ultimately grew frustrated with Bear’s inability to reciprocate.

Moreover, Johnston disclosed that audiences almost witnessed a drastically different ending to the film. The original concept included a more violent conclusion, which would have seen Nikki dying in a gruesome scene involving gunfire. This alternative ending, which was ultimately discarded, highlighted how creatives often grapple with the impact they wish their narratives to impart.

Navarrette, who has carefully curated her early career, has chosen to distance herself from online discussions surrounding the film while it gains traction. “It’s the beginning of a new process and a new step in my career, and I really want to make sure that I’m protecting myself first,” she explained. Her choice to remain offline has contributed to enhancing her experience when interacting with fans in real life, allowing for genuine connections.

As “Obsession” continues to enchant audiences in theatres and its digital release beckons, both the cast and crew remain attentive to the film’s reception. While Johnston’s insights offer an intriguing glimpse into potential future narratives, for now, it seems the story of Bear and the “One Wish Willow” has reached its conclusion.

As the film resonates with viewers, many are curious to see what avenues the future might hold for Barker’s chilling visions. Until then, “Obsession” remains a testament to the indie horror genre’s potential for storytelling and creativity.