Hugh Jackman has reflected on the striking similarities between his latest role in *The Death of Robin Hood* and his previous portrayal of Wolverine in the 2017 film *Logan*. In an interview with PEOPLE, the celebrated actor discussed his enduring fascination with complex antihero characters, which has been a recurring theme throughout his illustrious career.
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In *The Death of Robin Hood*, Jackman takes on the role of an older version of the iconic English folk hero, presenting a narrative that is much darker and grittier compared to previous adaptations. This latest film effectively explores the more nuanced and troubled aspects of Robin Hood’s character, rather than focusing solely on his well-known exploits.
Jackman, now 57, admits that he has always been drawn to such characters. He relayed his early intrigue with figures like Han Solo from *Star Wars*, highlighting a preference for narratives that delve into the grey areas of morality. “I think as I get older, I’m more and more drawn to the grey areas of humanity rather than the easy fix or this is who that person is, this is who that is,” he remarked.
The actor pointed to Clint Eastwood’s *Unforgiven*, released in 1992, as another film where an antihero is central to the story. Jackman noted that the exploration of complex characters allows for a deeper understanding of human nature, a theme he embraced while working on *Logan*. He expressed a desire to go even further in his portrayal of Robin Hood, indicating a profound evolution in his understanding of character depth as he ages.
In this new film, Jackman’s rendition of Robin Hood is found grappling with the consequences of a violent life. Early in the narrative, Robin suffers significant injuries during a confrontation. He subsequently finds himself in the care of Sister Brigid, played by Jodie Comer, at a monastery. The film also features performances from actors such as Bill Skarsgård, Noah Jupe, and Murray Bartlett, creating a rich ensemble that complements Jackman’s complex portrayal.
Jackman emphasized that working on a film that deals with themes of mortality allowed him the opportunity for personal reflection and healing. “I keep saying the word beautiful, which sounds a little reductive,” he confessed, yet remarked that it encapsulates the complex beauty of humanity as portrayed in the film. The character contemplates the nature of life and death, an element that Jackman found both meditative and cathartic.
As he described filming, he noted, “There’s something about sitting in the idea of the final moments of life… you get to go there and experience it.” This perspective on the character’s journey provided Jackman with ample moments of introspection, allowing him to explore what it means to let go of past burdens, guilt, and pain.
Co-star Jodie Comer echoed these sentiments, suggesting that the concept of letting go resonates deeply within the film. Jackman agreed, reflecting on the character’s arduous journey burdened by guilt. The process of navigating through those emotions can be both calming and ultimately healing, as both actors experienced the narrative’s exploration of these profound themes together.
*The Death of Robin Hood* is now available in theatres, providing audiences a chance to witness Jackman’s latest transformation into a character that embodies both the heroism and flaws of human existence. The film offers a unique take on a familiar legend, encouraging viewers to reflect on the complexities of morality, personal redemption, and the beauty that can be found even in the endings of life.