In an evocative reflection on the monumental Live Aid concerts of 1985, Phil Collins, the iconic frontman of Genesis, has shared his vivid memories of performing at both the UK and US events in a single day. Speaking with the BBC, the 75-year-old artist recounted how he became the only musician to achieve this remarkable feat after other planned performers withdrew from the dual-lineup.
:max_bytes(150000):strip_icc():format(jpeg)/Phil-Collins-live-aid3-1985-052626-c4342a25c78c4139858e7d20aa6ec028.jpg)
The Live Aid concerts were held on July 13, 1985, with one taking place at Wembley Stadium in London and the other at JFK Stadium in Philadelphia. The ambitious initiative aimed to raise funds for famine relief in Ethiopia and captured the attention of nearly 1.9 billion viewers worldwide, approximately 40% of the global population at that time.
Collins described the moment he was approached about performing at both venues. “Someone suggested that I do both shows by flying on Concorde, the supersonic jet that could make the journey from London to New York in about three hours,” he reminisced. When he agreed to this ambitious plan, Collins sought reassurance that he would not be the sole performer making the journey, saying, “I did say, ‘I’m not the only person doing this, right? Cuz that’ll look like showing off.'”

Initially, it was believed that bands such as Power Station and Duran Duran would be performing at both events. However, plans changed drastically when the former disbanded shortly before Live Aid, and Duran Duran chose to perform solely in America. This left Collins as the lone artist appearing at both concerts, a highlight that would later become a significant moment in music history.

To execute this unprecedented arrangement, Collins flew from London to Philadelphia, performing at Wembley before quickly transferring via helicopter to Heathrow. He then took another helicopter to JFK Airport and immediately headed to Philadelphia, where he made yet another entrance onto the stage. The singer performed his well-known hits “Against All Odds (Take a Look at Me Now)” and “In the Air Tonight” at both locations, creating a unique link between the two concerts.
Reflecting on this extraordinary experience, Collins acknowledged the spontaneous nature of the events, explaining, “In retrospect, you can see it bonded the two events. It wasn’t set out like that. It was just one thing led to another.” At the UK concert, he also had the opportunity to perform a duet with Sting, further enhancing the day’s musical legacy.
In addition to his solo performances, Collins showcased his versatile talents by playing drums for both Eric Clapton and participating in a reunion set with members of Led Zeppelin, including Robert Plant, Jimmy Page, and John Paul Jones. Collins later recalled how he had listened to “Stairway To Heaven” during his flight on Concorde, but the performance itself was not without its complications. He admitted that the lack of rehearsal with the band resulted in a somewhat disjointed performance, leaving him feeling “like a spare part” amidst the tensions of the moment.
Despite the chaotic nature of the Led Zeppelin reunion, Collins said he has since come to terms with the experience, joking about it in his interview: “I’m over it now.” This playful take reflects the camaraderie that often defines the music industry, even in the face of potential setbacks.
The Live Aid concerts featured a stellar lineup of artists, many of whom delivered iconic performances that remain etched in the annals of rock history. Alongside Collins, notable acts included U2, Queen, Elton John, Paul McCartney, and The Who, among many others. Queen’s frontman, Freddie Mercury, especially captivated the audience with a performance that has been celebrated as one of the greatest in rock history.
The impact of Live Aid was profound, not only raising significant funds for famine relief efforts but also uniting musicians and fans alike for a noble cause. Collins’ dual performances stand as a testament to the spirit of generosity and collaboration that characterised the event, ensuring its place in the history of music.
As the 38th anniversary of Live Aid approaches, Collins’ recollections serve as a reminder of the power of music to transcend boundaries and bring people together for a greater purpose.
