**Changes and Additions in ‘Off Campus’: An Insight from Showrunner Louisa Levy**
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The eagerly anticipated series adaptation of Elle Kennedy’s popular *Off Campus* book series has finally premiered on Prime Video. The eight-episode season, which launched on May 13, transports viewers into the complex relationship between Hannah Wells and Garrett Graham, central characters from the first book, *The Deal*. However, as is often the case with adaptations, several key changes have been made, prompting discussion among fans of the original material.

Louisa Levy, the showrunner of *Off Campus*, spoke to PEOPLE to elaborate on some of the significant alterations and newly introduced elements in the series. The author, Elle Kennedy, is closely involved in the adaptation process as a producer, having reviewed scripts and cuts throughout filming last summer. Levy expressed gratitude for Kennedy’s guidance, noting it was reassuring to have her affirmation on many aspects of the show.
One primary difference lies in the circumstances surrounding the breakup of Hannah and Garrett. In *The Deal*, the split is instigated by Garrett’s father, who threatens financial repercussions if they continue their relationship. Conversely, the TV adaptation portrays the breakup as a decision made by Garrett himself. Levy explained that this shift is more aligned with current realities, highlighting changes in athlete compensation laws that have emerged since the book was published over a decade ago.
“In the original book, Garrett’s financial dependence on his father played a significant role in the breakup,” Levy stated. “Given that athletes can now monetise their image and likeness, this aspect seemed less relevant. Instead, I explored deeper motivations for their split, making it a matter of Garrett confronting his fear of becoming like his father before being ready to embrace a relationship with Hannah.”
Another moment that fans were eager to see depicted is the purported ‘hands-off’ rule introduced by Garrett following the breakup. In the original novel, this element serves to draw Hannah and Garrett back together. However, Levy acknowledged that the context in the show alters how this rule is presented.
She elaborated, “In the book, Garrett’s imposition of the rule makes sense because he feels betrayed. However, with the TV adaptation where Garrett is the one initiating the breakup, that logic doesn’t hold up as well. Thus, we had to adjust the circumstances that lead to this moment, ensuring its emotional impact remains intact for viewers.”
Additionally, the series introduces a relationship between Dean Di Laurentis and Allie Hayes earlier than in the book series. While the romantic narrative of these characters is primarily explored in the third book, *The Score*, the adaptation places them in a secret romance as Hannah and Garrett navigate their tumultuous relationship.
Levy noted that this decision felt organic, given the friendship between Allie and Hannah. “Since Allie and Hannah are best friends, it made sense to add another layer to the narrative with Dean involved in their lives early on,” she explained. “We wanted to surprise the audience and add an exciting twist right from the start, and there’s still much to develop in future seasons.”
The show also sees the introduction of a new character, Jules. Unlike the original books where John Logan had no siblings, Jules, who is nonbinary, was conceived as a younger sibling within the Logan family. Levy stated that Jules was created to serve dual purposes: to provide insights into the sport of hockey and to infiltrate the dynamics of the main group of characters.
“Hockey is a pivotal aspect of the characters’ lives, and while the focus remains on romance and interpersonal relationships, having a character who can explain the game is beneficial for viewers unfamiliar with it,” Levy shared. “Moreover, with Jules in the mix, we have someone who can connect with the characters in ways that others might not, making them privy to the undercurrents of campus life.”
Levy’s commitment to blending familiar elements of the books with fresh interpretations underscores an understanding of both the original material and contemporary audience expectations. As such, *Off Campus* strives to remain faithful to its source while also standing on its own merits.
As viewers settle in to enjoy *Off Campus*, streaming now on Prime Video, it is evident that the adaptation balances cherished moments from the original narrative with new twists designed to engage both die-hard fans and newcomers alike. As the first season unfolds, there is excitement surrounding what additional surprises are yet to come.
Fans of *The Deal* can explore the adaptations and additions now, as the series is available for streaming alongside the original books, ensuring that both mediums can be enjoyed in tandem.
