**Costume Designer Shares Insights from ‘The Devil Wears Prada 2’**
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Molly Rogers, the costume designer for the highly anticipated sequel to the hit film “The Devil Wears Prada,” recently opened up about her experience on the project during an event with Fashionphile. Her remarks have cast light on the intricate world of fashion coordination in film, highlighting some challenges encountered while dressing the star-studded cast including Meryl Streep, Anne Hathaway, and Stanley Tucci.


Rogers revealed that she faced a few hurdles, particularly when coordinating accessories for Tucci, who reprises his role as the stylish character Nigel. One of the most contentious points of discussion was the idea of fitting Tucci with a bag for his character. “I really battled with him about carrying a bag—like really battled. I wouldn’t call it healthy conversation,” she confessed. Tucci was hesitant, feeling that the suggestion was an unnecessary push in terms of characterisation.
The designer’s vision for the film included a standout accessory for Tucci’s character, particularly for a scene set in Italy. “I really wanted a green Goyard bag for Stanley to carry when we go to Italy, and it would be here,” Rogers explained. Partnering with Fashionphile, a company that offers pre-owned luxury items, aided her in sourcing looks that complemented the film’s high-fashion narrative.
Despite her enthusiasm for the bag, Tucci’s reluctance persisted. Rogers recalled advocating for the accessory by saying, “You’re going to look really flat on the red carpet,” emphasising the importance of visual appeal at such high-profile events. Ultimately, Tucci’s character did wear a jewelled brooch at a gala event, although Rogers noted that obtaining his agreement for this accessory was another struggle. With a touch of humour, she admitted to calling Tucci a “traitor” after he appeared on the cover of Town & Country wearing three brooches, highlighting her initial resistance to incorporating such embellishments for his character.
Rogers also expressed her desire for Tucci’s character to sport multiple sizes of the Goyard bag, drawing inspiration from her fashionable friends who own various iterations of the designer’s products. “Some of my best gay friends have Russian doll sizes of the Goyards,” she remarked with a laugh, indicating her vision was rooted in the principles of glamour and style that are a hallmark of the franchise.
Another poignant moment for Rogers was the disappointment she felt upon learning that one of her favourite outfits would not be featured in the film. She had crafted a lavish collection of outfits for key cast members: around 28 designs for Meryl Streep, 46 for Hathaway, and 16 for Emily Blunt. Rogers jokingly noted that Blunt was particularly disheartened about her smaller selection of costumes compared to her colleagues.
The designer recounted the moment she received the news about her cut outfit: “They called me and said, ‘Are you sitting down?’ They were really afraid of what I was going to do,” she recalled. From her perspective, the decision to remove her favourite look stemmed from concerns about the film’s pacing. “It made the movie too long, and so cutting it supposedly made the movie better, but I’m not so sure,” she disclosed.
Despite the challenges and moments of frustration, Rogers remains proud of her contributions to “The Devil Wears Prada 2,” which has now officially hit theatres. This sequel aims to carry on the legacy of its predecessor, shining a light on the competitive and often cutthroat world of high fashion.
As the film continues to premiere in cinemas, audiences can expect a visual feast that reflects the glamorous world that has captivated fans since the original film’s release in 2006. The ongoing dialogue around fashion in film underscores the vital role costume designers play in shaping and enhancing narratives, ensuring each character not only resonates with audiences but also remains in vogue.
