Lauren Weisberger’s iconic novel, “The Devil Wears Prada,” has seen a resurgence in the spotlight as the sequel, aptly titled “The Devil Wears Prada 2,” gears up for its theatre release on May 1. Weisberger, who initially launched the narrative in 2003, has reflected on the cultural impact of her work as it enters its third decade.
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Originally a gripping exploration of workplace dynamics, Weisberger’s tale resonated with many, particularly those grappling with challenging bosses. When the book transitioned to the big screen in June 2006, featuring Anne Hathaway, Meryl Streep, and Emily Blunt, it quickly evolved into a cultural touchstone, revered not only for its narrative but also for its portrayal of the fashion industry. The release of the sequel promises to continue that exploration, delving into the lives of its beloved characters 20 years after the original story’s conclusion.
In an exclusive interview with PEOPLE, Weisberger expressed her excitement for the new film, stating that it introduces “a new part of these characters’ journeys.” Fans can expect the return of Andy, Miranda, and Emily, bringing with them the wit and glamour that captivated audiences previously. However, Weisberger notes that significant changes in both the media landscape and workplace culture are evident in this continuation of the story, marking a departure from the excesses of the past.
Weisberger recalls the extravagant environment in which she worked while at Vogue, a stark contrast to current industry norms. She reminisces about a time filled with expense accounts and lavish lunches that younger generations can hardly conceive. “I really feel like I did work at Vogue during the heyday of the excess and the craziness,” she remarked. It’s a sentiment that underscores the evolution of workplace attitudes, particularly concerning the discussions surrounding toxic environments, boundaries, and employee treatment.
The author reflects on how societal conversations have shifted since “The Devil Wears Prada” was first published. “We’re in a different place now… how we treat people, and how we expect to be treated, has undergone a positive transformation,” she observed. Although she acknowledges that the ideal of a healthier workplace is not universally realised, the dialogue surrounding these issues has certainly gained traction compared to two decades ago.
Weisberger noted a clear disconnect when she embarked on her book tour; while media representatives in New York and Los Angeles speculated about whether the character Miranda Priestly was a commentary on Anna Wintour, readers elsewhere connected with the underlying themes of the story. “For many, it was about a girl who feels out of her depth with a daunting boss,” she explained. The identity of Wintour was largely foreign to audiences outside major fashion hubs.
The dichotomy in reactions became even more pronounced as she travelled beyond metropolitan areas. “In New York and LA, questions focused on revenge or character motivations,” Weisberger described. “But in other places, there was no mention of Wintour or Vogue; for many, this was merely a relatable story.” This contrast illuminated the diverse perceptions of the narrative and its characters, contingent on geographic location and cultural exposure at the time.
As she anticipates the premiere of the sequel, Weisberger enjoys a sense of nostalgia watching the characters return to the big screen. She described the experience of being in a theatre surrounded by her children and the film’s original creative team as a fulfilling moment. “It was wild and really cool to see everyone back together after all these years,” she enthused.
The sequel is expected to retain the intelligent humour and stylish flair that made its predecessor a success while continuing to prompt audiences to reflect on life choices and the costs associated with ambition. “It still asks many of the same questions about what kind of life you want, and what you’re willing to pay to achieve it,” she said.
As “The Devil Wears Prada 2” prepares for its theatrical debut, it is poised to rekindle interest in the themes of ambition, identity, and the complexities of contemporary work culture. With the original cast returning, audiences are bracing themselves for another smart, stylish romp through the often tumultuous intersection of career and personal aspirations.