Albert Mazibuko, a cherished member of the renowned South African male choral group Ladysmith Black Mambazo, has passed away at the age of 77. The news was confirmed by his bandmates through a heartfelt Facebook post on Easter Sunday, April 5th. His passing marks the loss of not only an extraordinary musician but also a beloved figure within the ensemble, known for his kindness and dedication to sharing their music.
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The official tribute released by the group expressed profound sorrow over Mazibuko’s departure. They stated, “Dear Friends, it is with immense sadness that we tell you that our brother, Albert Mazibuko, has left us this Easter Sunday to be with his saviour in heaven.” The tribute highlighted his commitment to the group and the joy he derived from sharing Ladysmith Black Mambazo’s mission of spreading “Peace, Love and Harmony” across the globe.
Mazibuko’s warm spirit and passion for their music were evident to all who encountered him. His bandmates described him as “a saint” who possessed an innate kindness and a willingness to engage with fans and the media alike. They noted that he never hesitated to discuss the group’s rich history and experiences, making him the go-to spokesperson for journalists looking to learn more about Ladysmith Black Mambazo.
His time with the group was instrumental in popularising traditional Zulu music and dance, and enhancing the cultural fabric of South Africa. Mazibuko’s journey with Ladysmith Black Mambazo began in 1969, when he was invited by his cousin Joseph Shabalala to join the ensemble, which was founded in 1960. Over the decades, the group became known for blending indigenous music with isicathamiya, an acapella style often accompanied by intricate dance sequences.
Amidst the backdrop of apartheid in South Africa, the band’s songs provided messages of hope and resilience. Mazibuko recounted the harsh realities of living under apartheid in an interview with BBC’s Soul Music in 2015, reflecting on the fear and constraints faced by Black South Africans during that tumultuous period. He described how they were forced to carry identity documents, with the ever-present fear of arrest looming over their lives.
Ladysmith Black Mambazo’s big break came after a 1970 radio performance, which led to their first recording contract and the release of “Amabutho,” Africa’s first gold-selling album, in 1973. Their international acclaim surged when they collaborated with Paul Simon on his 1986 album, “Graceland,” which introduced their music to a global audience.
For over 55 years, Mazibuko was a stalwart of Ladysmith Black Mambazo, serving as Shabalala’s “right-hand man.” Following Shabalala’s retirement in 2014, Mazibuko took on the role of “wise elder,” providing guidance and wisdom to the younger members of the group as they evolved and adapted in an ever-changing music landscape.
Mazibuko was also a family man, having met his wife, Lillian Dlomo Mazibuko, in 1971 and marrying her five years later. The couple shared four children, and their family has been a source of strength throughout his life.
Just prior to his passing, Ladysmith Black Mambazo had been touring across the United States since February, with plans for their final performance scheduled in the States on April 10. The future of the group lies in the hands of its current members, which includes a blend of long-time contributors and new artists, but Mazibuko’s legacy and influence within the ensemble will undoubtedly endure.
As the group and fans navigate this profound loss, they have pledged to share further tributes, videos, and memories celebrating Mazibuko’s life and contributions to music. “HAMBA KAHLE MFETHU…GO WELL OUR GOOD FRIEND,” concluded the poignant message from his fellow band members, encapsulating not only their grief but also their gratitude for the time they shared with an extraordinary talent.