Meryl Streep recently clarified the inspirations behind her character Miranda Priestly in the beloved film *The Devil Wears Prada*, as anticipation grows for the sequel slated for release on May 1. The acclaimed actress shared her insights during an appearance on *The Late Show with Stephen Colbert*, challenging long-held assumptions regarding her portrayal of the iconic fashion editor.
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Fans of the 2006 film have often speculated that Miranda Priestly was based on the real-life Vogue editor, Anna Wintour. However, Streep revealed that her character drew more from the influences of two distinguished filmmakers: Mike Nichols and Clint Eastwood. Streep revealed, “I was basically imitating Mike Nichols that whole time. If Mike Nichols and Clint Eastwood had a baby, it would be Miranda Priestly.”
Streep elaborated on how Nichols’ style as a director shaped her character’s on-set demeanour. She noted his ability to command the room with a sense of sly humour, which, unbeknownst to the crew, often translated into comedic moments rather than hostility. “People take it as mean, but it’s funny. I think it’s funny,” Streep commented.
The influence of Clint Eastwood brought a different dimension to Miranda’s character. Streep highlighted Eastwood’s calm authority, explaining that he commands attention without raising his voice and often makes people lean in to grasp what he is saying. While the actress has not yet conveyed this connection to Eastwood, she mentioned that Nichols was well aware and thrilled by it.
Both Nichols and Eastwood are esteemed in the industry, having directed several successful films that have garnered critical acclaim. Nichols, celebrated for his works such as *The Graduate* and *Working Girl*, collaborated closely with Streep on earlier projects, including *Silkwood* and *Angels in America*. Eastwood, renowned for his efficient directing style in films like *Million Dollar Baby*, also worked with Streep in *The Bridges of Madison County*.
During her segment on *The Late Show*, Streep made a fashionable statement by wearing a cerulean blue sweater, a nod to the iconic moment in *The Devil Wears Prada* that showcased the significance of colour in the fashion industry. The custom-designed piece by Olympia Gayot for J.Crew was styled by Micaela Erlanger and accentuated by Mejuri earrings. Gayot remarked, “Meryl makes everything iconic. We just made sure this cerulean lived up to it.”
The timing of this revelation coincides with the upcoming release of *The Devil Wears Prada 2*, causing a nostalgic buzz among fans eager to revisit the franchise. The film’s legacy continues to be celebrated, particularly as discussions around female-led productions have evolved significantly since the original’s release.
Reflecting on the original film’s reception, Streep described its branding as a “chick-flick,” which affected its budget and portrayal in the industry. She believes that such designations have become outdated, especially given the recent successes of female-driven films, including *Barbie* and her own film, *Mamma Mia!*. Streep noted the surprise that studios often face when these films resonate with audiences, highlighting a shift in perception that has occurred over the years.
Streep remarked, “I’ve talked to Greta Gerwig about it. That was true with *Barbie* a little bit in comparison to what they spend on other films. This one, honey, they spent the money.” This statement points to a broader acceptance of female-focused narratives in Hollywood, which is now reflected in the increasing budgets allocated to such projects.
As excitement for *The Devil Wears Prada 2* builds, Streep’s insights provide a fascinating glimpse into the character of Miranda Priestly, dispelling misconceptions while celebrating the evolution of women’s roles in cinema. The upcoming film serves as a testament to the enduring impact of the original, maintained by its passionate fanbase and the strong performances that have defined it over the past two decades.