Romina Garber, an author of dual Argentine and American heritage, reflects on her personal journey with her book “Lobizona,” which sheds light on the experiences of an immigrant girl. The story, anchored in Garber’s own childhood, resonates deeply with her younger self, who longed to see her cultural background represented in literature. Growing up, Garber often felt a lack of relatable narratives featuring characters who shared her identity and experiences.
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To address this void, she attempted to write a book titled “Yellow Eyes” shortly after finishing university, inspired by her own upbringing. Unfortunately, her manuscript faced a slew of rejections, with an agent suggesting that American teens were uninterested in stories about Argentine immigrants. Despite the setback, Garber did not abandon her passion for storytelling entirely; however, it wasn’t until she was compelled by the heart-wrenching reports of immigration crises that she returned to the project that would eventually become “Lobizona.” The book, published in 2020, features an undocumented Latina protagonist named Manu, and captures the challenges faced by immigrant communities in vivid detail, all while exploring their cultural richness.


Yet, the publication was met with significant challenges. Following its release, “Lobizona” was subjected to numerous book bans in various school districts, particularly in Florida and Texas, states with substantial immigrant populations. These developments prompted Garber to reconsider the reasons why such narratives had been sparse during her formative years. She recognised a deliberate effort to suppress stories that reflect diverse identities, leading her to conclude that those in power often fear marginalized voices.
Despite these obstacles, Garber found renewed hope when she learned that “Lobizona” had been selected for Saint Paul, Minnesota’s Read Brave initiative, a citywide book club aimed at promoting diversity and dialogue through literature. The programme purchased thousands of copies of her book in both English and Spanish, which were then distributed to schools and the wider community. Garber visited multiple schools, engaging with over a thousand students, many of whom connected personally to Manu’s story.
During her visit, Garber encountered students who shared heart-wrenching stories of their own, including a girl who asked for her book to be signed for a friend whose father had recently been deported. Another student expressed pride in a chapter centred around menstruation, which she found relatable and refreshing. Such interactions highlighted the necessity and importance of representation in literature, particularly for young readers grappling with their identities.
One notable aspect of the Read Brave initiative was its bending of language barriers, enabling Garber to conduct a school visit entirely in Spanish. This bilingual approach fostered a sense of comfort and familiarity between Garber and the students, allowing for an authentic exchange of dialogue. The questions posed to her included personal topics, revealing a connection beyond the literary realm—a shared human experience.
Amidst conversations filled with laughter and camaraderie, Garber was reminded of the power of stories to heal and unite communities, particularly during challenging times. As she explained to the students that hope rests with them, she emphasised the inevitable changes in political landscapes and urged them to step into their power as the next generation of leaders. Her empowering words served to inspire confidence and resilience in her listeners.
Garber’s experience demonstrated the undeniable potency of literature in shaping societal attitudes and fostering empathy. As she returned home, the warmth of the connections she had forged with the students reinforced her belief that narratives like “Lobizona” indeed matter. They serve as mirrors to our realities and bridges to understanding, particularly for those who feel unseen or unheard.
“Lobizona,” now available alongside its sequel in a two-in-one paperback, encapsulates the struggle for belonging amidst the complexities of identity and culture. In a time where the power of representation is being both celebrated and challenged, Garber’s work shines a light on the importance of sharing diverse stories, ensuring that future generations have a richer array of narratives from which to choose. As she succinctly put it: “Manu matters.”
