In an exclusive look at the wardrobe of ‘Stranger Things’ Season 5, costume designer Amy Parris reveals six fun facts about the outfits worn by the beloved characters. As the first half of the season brought viewers back to the Upside Down on Netflix, Parris shares intriguing details about the clothing choices that may have gone unnoticed by fans. From hidden Easter eggs to vintage pieces, the wardrobe of the show’s characters tells a story of its own.
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One interesting aspect highlighted by Amy Parris is the use of true vintage clothing in a large part of the wardrobe. While she aims for authenticity by sourcing vintage pieces, finding multiples of these items can be challenging. Parris explains her strategy of working with specific vendors who excel in curating authentic vintage pieces. In cases where vintage items are not available, she goes the extra mile by replicating fabric prints or knitting sweaters to capture the essence of the ’80s era portrayed in the show.

Collaborating closely with the actors, Parris reveals how she and Natalia Dyer, who plays Nancy, decided to incorporate a more practical and tough look for the character in Season 5. This approach included custom-made jeans from Guess and a preference for sneakers over boots with heels to reflect Nancy’s readiness for battle underground. The character’s wardrobe evolution mirrors her journey and reflects a shift in attitude towards a more resilient and powerful persona.

Despite the transition into the ’80s era, Parris expresses her enduring love for Eleven’s iconic outfit, acknowledging the cool and badass vibe it exudes. Describing the outfit as a reflection of the character’s journey, Parris defends the unconventional choices, such as layering and unique styling, that contribute to Eleven’s distinct appearance. Through her collaboration with the actors, Parris ensures that the costumes align with the character’s narrative arc and enhance the storytelling on screen.
The attention to detail in the wardrobe extends to individual character arcs, as seen in the case of Robin’s outfits. Maya Hawke’s input led to a modification in one of Robin’s looks to ensure practicality and comfort during long shooting schedules. Parris emphasizes the importance of honouring the creators’ vision through the costumes while prioritizing the actors’ comfort and mobility. Such adjustments highlight the collaborative effort behind bringing the characters to life authentically on screen.
Mr. Whatsit’s friendly and approachable persona is reflected in his warm-toned attire and subtle nods to past characters like Brenner. Parris delves into the thought process behind incorporating specific elements, such as the choice of colours and accessories, to convey Mr. Whatsit’s character traits effectively. The meticulous approach to designing each character’s wardrobe showcases the depth of storytelling that goes beyond dialogue and actions, adding layers of nuance to the viewing experience.
Max’s outfit in Season 5 is not just a random selection of clothing but a carefully curated ensemble filled with Easter eggs and references to past memories. Parris explains the significance of using fabrics from Henry’s shirts to patch up Max’s jeans, linking her attire to shared experiences and connections with other characters. By weaving these subtle details into the wardrobe, the costumes not only enhance the visual aesthetic but also contribute to the narrative coherence and emotional depth of the characters’ journeys.
As ‘Stranger Things’ Season 5 heads towards its finale, the insights shared by costume designer Amy Parris offer a behind-the-scenes glimpse into the creative process that shapes the iconic looks of the show. From sourcing vintage pieces to collaborating with actors and infusing meaning into every costume choice, the attention to detail in the wardrobe reflects a dedication to storytelling and character development. As fans eagerly await the next instalment of the supernatural series, the wardrobe continues to play a vital role in bringing the characters and their stories to life on screen.
