Mark Strong, the acclaimed English actor, is relishing his recent return to the stage after a decade-long hiatus, with his performance in the Tony-nominated production of “Oedipus”. Speaking at the Tony Awards ‘Meet the Nominees’ event in New York City, Strong reflected on the contrasting disciplines of film and theatre, describing the camera as akin to a microscope. “Whenever I go away and do film, it’s a completely different discipline. The camera sees into your soul, your brain,” he remarked, highlighting the unique nature of live performance.
:max_bytes(150000):strip_icc():format(jpeg)/mark-strong-tonys-press-day-060326-f49dee32cb6d413394386937f735c2d7.jpg)
At 62, Strong is renowned for his diverse body of work spanning both theatre and screen. His latest role as Oedipus, a contemporary reimagining of the classic Greek tragedy, has resonated deeply with him. “I hadn’t done a play for 10 years,” he shared with pride, noting that his previous stage appearance was in the acclaimed 2014 revival of “A View from the Bridge”, which was also nominated for a Tony Award.

Strong’s career began in London’s theatres, with performances at prestigious venues like The Old Vic and the National Theatre. The actor’s return to the West End and then to Broadway for “Oedipus” marks a significant moment, allowing him to reconnect with live audiences. He described the thrill of performing eight shows a week, expressing how essential it is to gauge the audience’s reactions. “There’s something about every night, gauging the response…that just helps you hone your craft,” he explained.

Drawing from his extensive experience, Strong believes that performing on stage enriches his on-screen roles. He acknowledges that the skills developed through live performances can enhance a film actor’s output. “That element of performance is so important for actors,” he revealed, valuing the interplay between stage and screen.
The actor enjoys the challenges of transitioning between mediums. “I like mixing them,” he said. He explained that when he tires of the subtleties required in film acting, returning to the stage reinvigorates him. Yet, he acknowledged that after numerous performances of a play, it can often feel like he has exhausted the role. Thus, the cycle of jumping between theatre and film provides ongoing stimulation for his craft.
“Oedipus”, directed by Robert Icke, modernises the ancient tale into a political thriller set during an election night, tackling themes that resonate in contemporary society. Strong reprised his role from the London production, alongside Lesley Manville, who also received a nomination for her portrayal of Jocasta. Describing the differences between British and American audiences, Strong noted, “British audiences are quite reserved… on Broadway, people are just much more effusive.” He recounted the lively responses he encountered on stage, including gasps and laughter, highlighting a distinct engagement from the audience in New York City.
The production received seven nominations for the Tony Awards, including Best Revival, further underscoring the impact of Strong’s performance and the production’s overall appeal. As his Broadway run came to a close in February, he expressed contentment with his choice to return to live theatre, reminding himself of the joy found in connecting with an audience night after night.
Looking ahead, Strong is set to feature in Tom Ford’s upcoming film “Cry to Heaven” as well as in the Apple TV series “Neuromancer”. His career continues to flourish, demonstrating his versatility as an actor and a desire to push creative boundaries. Fans and critics alike will be eager to see what the future holds for Mark Strong, especially with the 2026 Tony Awards scheduled to take place at Radio City Music Hall on 7 June, broadcast live on CBS and streaming on Paramount+.
As Strong reflects on his journey through theatre and cinema, he emphasises the profound experiences live performance offers, allowing actors to truly connect with their craft and audience. His commitment and passion for acting shine through, ensuring his place as a significant figure in both the theatre and film industries.
