Yungblud Criticises Howard Stern’s Assertion That ‘Rock Is Dead’
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The debate over the state of rock music continues as Yungblud, the Grammy-nominated artist, boldly challenges Howard Stern’s recent claim that ‘rock is dead’. In a recent appearance on SiriusXM’s The Howard Stern Show, Yungblud, aged 28, not only refuted Stern’s declaration but also named six bands that he believes defy this notion.

Howard Stern lamented, “I’ve been feeling lately like rock is dead, you know? And it makes me sad because I love rock and roll music.” Yungblud was quick to counter this statement and express his admiration for the genre. He emphasised the timelessness and brilliance of rock music, highlighting its significant impact and enduring appeal.
The musician elaborated further on his perspective, stating, “Every dad says, ‘I don’t like that band. It sounds like a band that they knew as a kid.’ You know what I mean? Every f—ing dad says to his kid, ‘I don’t like that. That sounds like what I knew.’ It always happens.” Yungblud’s insights shed light on the cyclical nature of music preferences and generational influences.
Yungblud continued to share his optimism regarding the resurgence of rock music, dismissing the notion that a single saviour is required to rejuvenate the genre. He proclaimed, “People always put so much pressure on one person bringing it back. ‘Who’s going to save rock and roll?’ And that’s a load of bulls—.” This rejection of a singular messianic figure underscores his belief in the collective power of artists and audiences to shape the music landscape.
Regarding the current rock scene, Yungblud highlighted the diversity and vibrancy present in various subgenres. He pointed out emerging talents such as Knocked Loose and Turnstile in hardcore, Amyl and the Sniffers and Lambrini Girls in punk, and Fontaines D.C., Geese, and Wunderhorse in indie music. This recognition of a broad spectrum of artists demonstrates Yungblud’s appreciation for the multifaceted nature of rock music today.
Yungblud’s latest album, ‘Idols’, reflects his innovative approach to music-making, blending theatricality, showmanship, and experimentation in a contemporary context. Despite initial apprehensions, the album has received positive feedback from fans and critics alike, culminating in a Grammy nomination for ‘Best Rock Album’ and a nod for ‘Best Rock Performance’ for his cover of Black Sabbath’s ‘Changes’ at the upcoming 2026 Grammy Awards.
In conclusion, Yungblud’s spirited defence of rock music serves as a testament to the genre’s enduring relevance and evolution. By challenging preconceived notions and celebrating the diversity within the rock community, he reaffirms the vitality and creativity inherent in this iconic musical genre. The ongoing dialogue surrounding the state of rock music continues to captivate audiences and artists alike, proving that, contrary to some opinions, reports of its demise have been greatly exaggerated.
