Renowned filmmaker Ron Howard recently shared a humorous and unforgettable anecdote about his experience working with Hollywood star Tom Hanks on the set of the 2006 film “The Da Vinci Code”. At a special Happy Days reunion event held at MegaCon in Orlando, Howard recounted a behind-the-scenes moment where Hanks found himself unexpectedly undressed in front of none other than the iconic Mona Lisa. The incident took place during the filming of the movie at the Louvre in Paris, where time constraints led to a hilarious wardrobe malfunction for the Oscar-winning actor.
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During the panel event, Howard detailed the comical scenario that unfolded, revealing that the production equipment was set up in the Mona Lisa room, leaving Hanks with no time to retreat to his dressing room for a costume change. As Howard provided him with instructions for the next scene, Hanks seized the opportunity to change his pants right in front of the famous painting. The director fondly recalled the moment, highlighting the sheer absurdity of the situation and adding another eccentric memory to their collaborative journey, which has included ventures into underwater and weightless settings in previous films.

Howard, known for his diverse portfolio of films ranging from comedies to dramas, also touched upon his early passion for directing and how it ultimately became his calling in the film industry. Despite having a background in acting as a child, Howard realized his true affinity for working behind the camera, shaping captivating narratives and bringing stories to life on the big screen. This transition to directing paved the way for his successful collaborations with Hanks, with whom he has crafted multiple cinematic experiences, including the “Da Vinci Code” series, “Splash”, “Apollo 13”, “Angels & Demons”, and “Inferno”.
Reflecting on his career trajectory, Howard shared insights into his filmmaking journey and revealed a surprising detail about his viewing habits. The director confessed that he rarely revisits his own movies, indicating that it has been a considerable amount of time since he last watched “Splash”, a film that holds a special place in the hearts of many fans. This candid admission sheds light on Howard’s focus on continuous growth and exploration within his craft, embodying a commitment to pushing artistic boundaries and exploring new creative territories with each project.
The heartwarming reunion between Howard and his former Happy Days castmates, Anson Williams and Don Most, also added a nostalgic touch to the event, as they reminisced about their shared experiences in the entertainment industry. The enduring bond between the trio underscored the enduring camaraderie and mutual respect that has defined their longstanding careers in Hollywood, serving as a testament to the enduring power of collaboration and friendship in the world of show business.
As the conversation unfolded, Howard’s recollection of the unconventional moment involving Hanks and the Mona Lisa served as a poignant reminder of the unpredictable and whimsical nature of filmmaking. The anecdote not only elicited laughter from the audience but also highlighted the remarkable chemistry and camaraderie shared between the director and his esteemed collaborator, reinforcing the notion that the most memorable moments often occur when least expected. The enduring legacy of Howard and Hanks’s creative partnership continues to resonate with audiences worldwide, solidifying their status as cinematic icons beloved for their unparalleled contributions to the art of storytelling.
